Today is the birthday of character actor Clem Bevans (1879-1963).
I’d undoubtedly seen Bevans in dozens of movies and tv shows, but didn’t finally become aware of him until a few months ago when the indomitable explorer Mr. Pinnock, sent me a link to a remarkable 1950 tv movie called Hurricane at Pilgrim Hill, produced by Hal Roach Jr. Originally presented as an episode of Magnavox Theatre, the plot of this bizarre romantic comedy is based on a magazine story by James Charles Lynch. It concerns the culture clash when a Western codger comes to visit his granddaughter in an old Massachusetts town. When his fiance’s snooty family don’t approve of the marriage, the old man uses a Native American spell to conjure a hurricane that puts the boy’s father out of the way for a while. Then he rescues the guy and everyone kisses and makes up. It’s not exactly a “good” movie, but I was especially intrigued by Bevans’ performance, which I found oddly detailed, realistic and just plain weird. And so I investigated…
Bevans was born in Cozzadale, Ohio. He started out in vaudeville around the turn of the last century with a boy and girl act with Grace Emmett. From here he went onto burlesque, and three roles on Broadway, in the shows The Errand Boy (1904), Patsy in Politics (1907) and Monte Cristo Jr. (1919). He was 55 years old when he made his film debut in the 1935 remake of Way Down East. From here he worked constantly in film and television for the next 27 years. He amassed scores and scores of credits. Some notable films he appeared in include: Zenobia (1939), Dodge City (1939), Abe Lincoln in Illinois (1940), Sergeant York (1941), The Yearling (1946), The Paleface (1948), Portrait of Jennie (1948), and Harvey (1950), and the Disney miniseries Davy Crockett as well as the movie Davy Crockett and the River Pirates (1956). He was almost always typecast as a rural old geezer, but one notable departure was his casting as a Nazi in Alfred Hitchcock’s Saboteur (1942).
He was closely related (either the brother or cousin of, I’ve seen both online) of character actress Merie Earle, also always cast as an old codger, and when I show a photo, you’ll know her too in an instant:
For more on vaudeville history, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.