Georgie Price: Understudy for Jolson

Georgie Price (born this day in 1901) was one of the great singer/comedian/ entertainers of the sort they don’t make any more, cut from the same cloth as Al Jolson, Eddie Cantor, George Jessel, and Harry Richman — all of whom he did impressions of. He started out in a Gus Edwards kiddie act. When he graduated to long pants he was famously hired by the Shuberts as a replacement for Jolson, and then stiffed by them when Jolson returned to the fold (although Price managed to serve out the balance of his contract). He starred in big time vaudeville, becoming a staple of the Palace throughout the 20s and early 30s. He starred in a half dozen Vitaphone shorts, then left show business in 1934 to become a stock broker. He always kept a hand in, though, serving as president of AGVA (the American Guild of Variety Artists), and making the occasional appearance at benefits and on television. He passed away in 1964,

Ron Hutchinson of the Vitaphone Project had the good fortune to meet Price’s daughter and has been generous enough to share his account:

“I became interested in [Price] after hearing the soundtrack to his 1929 Vitaphone short DON’T GET NERVOUS. It is set in the actual Brooklyn studios and has Georgie arriving there to make a short. He is very nervous and tells the director, Bryan Foy (of the Seven Little Foys) that he needs a real audience in order to perform. Foy obliges, and Georgie sings several songs in a rich voice that reminds you of a combination of Jolson and Cantor. In the early 1990’s we were able to get the short restored and seen again by audiences.

I tracked down Georgie’s daughter, Penny Price, in New Hope, PA and was able to let her see this short as well as several others Georgie made in the thirties. She was thrilled, and shared many stories of her father. Penny has long performed on the stage in musical comedy, and her brother Peter made several films in the fifties, including THE GREAT CARUSO.

One of Georgie’s other early shorts, STATION B.U.N.K, made in Camden in 1929 and released by Columbia, is currently being restored by The Library of Congress. In it, he imitates Will Rogers, Eddie Cantor and Al Jolson. The Schuberts actually hired Price to fill in if Jolson became sick or too
demanding.

His daughter told me a great story about Georgie’s friend Bert Wheeler. After Georgie died in 1964, Bert came by to offer Penny his condolences.  Bert was going through financially lean times. As he turned to leave, Bert asked if he might have one of Georgie’s suits, as they were the same size. Then he asked for his shoes. Penny said that by the time Bert left, he even took Georgie’s underwear!”

To find out more about  the history of vaudeville including stars like Georgie Priceconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.

10 comments

  1. I should add that I’d love to know when “Station B. U. N. K.” is restored. It’s most likely being done at Mt. Pony very near me in Culpeper, VA where the Library of Congress has its film archives and restoration facilities built into the side of a hill. It’s a wonderful place that frequently screens early films in a gorgeous new auditorium. I happened upon it recently while on travel assignment.

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    • I am 84 years old, and had the pleasure of seeing Georgie Price live many times in the late forties and fifties. Still have a few 78 rpm recordings, and have a tape of about 40 of his recordings. It’s nice to see him on You tube.

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      • Hi Norman, I had the pleasure of talking to Georgie Price on the phone when I was 12 , I said ” HI Uncle Georgie! ” Unfortunately he passed away before I was able to meet him. I’m glad he has been “immortalized” in the internet world! What a great talent.

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  2. Thanks for a great piece on my father, Georgie Price. I came across it today while searching for background info on Maurice Hines and his time in Vegas for a review of his new show. I’m the second daughter, Jordan Wright, a food and travel writer and theatre critic living in the Washington DC area. I’m going to follow you from now on to read more interesting tales of the great days of vaudeville.

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