Today is the birthday of Arthur “McKee” Rankin (1844-1914). Rankin is they keystone of America’s greatest acting dynasty. I don’t call him the founder because he’s more at the center; it starts back in the late 18th century and goes all the way to Drew Barrymore.
Rankin himself was a key figure in 19th century American theatre, unjustly swallowed up by time. Originally from Ontario, Canada, he was only 21 when the Arch Street Theatre in Philadelphia, by some measures the leading theatre in the country at the time, made him their star. He was renowned in particular for his portrayals of the leads in MacBeth and Othello. In 1869, he married popular actress Kitty Blanchard and they became America’s most popular husband-wife acting team. Rankin also directed and produced his productions, taught acting, and wrote many plays, many with a western setting (a factor of his own extensive tours of western mining and logging camps). He would go on to start his own theatres in both New York and San Francisco.
Rankin’s plays included:
- his own adaptation of Rip Van Winkle (1870), plainly an effort to compete with the successful Joseph Jefferson vehicle
- Nannie, or the Dutch Orphan (1870)
- The Danites, a tale of life among the Mormons co-written by P.A. Fitzgerald and based on The First Family of the Sierras by Joachin Miller (toured 1877-1881, made into a movie in 1912)
- 49, a tale of San Francisco miners, also based on Joachin Miller material (1881)
- The Metropolis, a tale of the underside of New York City (unproduced)
- The Golden Giant, a tale of San Francisco co-written by Clay Greene (1885)
- The Runaway Wife, co-written with Frederick Maeder, a melodrama in which a painter goes blind and his wife, told that he is dead by an evil sister, marries a nobleman (1888-89). This was made into a movie in 1915
- Abraham Lincoln (1891)
- The Baxters (1893), a comedy, written for actor Charles Cowles
- a number of vaudeville one acts and the full-lengths Magda and The Fires of St. John, adapted from works by German writer Hermann Sudermann, in which Rankin co-starred with Nance O’Neil 1895-1908
- Invasion (1909), an uncanny play in which the Japanese invade California. For some context, this was in the wake of Japanese victory in the Russo-Japanese war, at a time when Japan was in the process of colonizing Korea
Rankin’s last Broadway directorial credit was Judith of Bethulia (1904), which was adapted into a movie by D.W. Griffith ten years later.
The definite source for information about Rankin is David Beasley’s McKee Rankin and the Heyday of American Theatre (2002).
Oh, but we’re not done! I wanted to take the opportunity to, as best I can, lay out the whole glorious tangle of this extended theatrical family.
The Rankins had three daughters with notable theatrical associations:
Gladys Rankin (1870-1914) was the first Mrs. Sidney Drew in the stage and screen team of Mr and Mrs Sidney Drew. Their son was the actor Sidney Rankin Drew. More on the Drew family below. Since Drew was Lionel Barrymore’s uncle, and Gladys sister’s Doris (below) was married to Lionel, Gladys was both Lionel’s aunt and sister-in-law.
Phyllis Rankin (1874-1934), a notable Broadway star in her own right. She was married to actor Harry Davenport (best known as Dr. Meade in Gone with the Wind). Phyllis and Harry’s son Arthur Rankin was also a minor player in films (he took his mother’s more famous surname as his professional name. That’s gotta hurt!) Arthur’s son was producer-animator Arthur Rankin, Jr. is of Rankin-Bass fame.
Doris Rankin (1888-1947), also a succesful stage and screen actress. Doris’s mother was not Blanchard, but some other unknown actress. Doris was married to Lionel Barrymore from 1904 through 1923.
This estimable line begins with London actress Eliza Trentner (1796-1887), whose theatrical husband was a Mr. Lane, either Thomas Frederick Lane or William Haycraft Lane. Accounts differ, and as Eliza moved to America in 1826 with her six year old daughter and without Mr.Lane, the truth has been hard to uncover.
Louisiana Lane Drew, grandmother and mentor of the three Barrymores. By all reports she cut a formidable, if not terrifying figure
The six year old girl was the formidable actress Louisa Lane (1820-1897) whose third husband was Irish-American actor John Drew, Sr (John Henry Drewland, 1827-1862). Drew’s brother Frank Drew (1831-1903) was also an actor.
Their oldest child Louisa Drew (1852-1888) married a theatrical manager but seems not to have gone on the stage, though the others did, including John Drew Jr. (1853-1827), Georgina (1856-1953), and the above mentioned Sidney who was adopted by Louisa Lane Drew after John, Sr. passed away
Georgina married Maurice Barrymore; their children were of course Ethel Barrymore, Lionel Barrymore and John Barrymore.
Ethel’s children were: Samuel Colt (1809-1986, a Hollywood agent), and Ethel Barrymore Colt (1912-1977) and John Drew Colt (1913-1975), both actors.
Lionel had two daughters with Doris Rankin; both died in infancy. After his divorce from Doris, he married actress Irene Fenwick (1887-1936), a former lover of his brother John.
John had four wives: socialite Katherine Corri Harris (who appeared in three silent films); the fascinating playwright and actress Blanche Oelrichs a.k.a “Michael Strange”; actress Dolores Costello, daughter of Maurice Costello; and Elaine Barrie.
His performing children included Diana Barrymore (1921-196o), whose husbands included actors Bramwell Fletcher and Robert Wilcox; and John Barrymore Jr. (1932-2004) , who, like his father married four times, twice to actresses (Cara Williams and Nina Wayne). Two of John Jr’s children became actors: John Blyth Barrymore III (b. 1954) and Drew Barrymore (b. 1975). Whew!
Chip off the old block