Archive for the Italian Category
Comedy, Italian, PLUGS, Women with tags Cutting Room, Danny Aiello, The Italian Chicks on January 25, 2017 by travsd
Christmas, Classical, Dance, HOLIDAYS/ FESTIVALS/ MEMORIALS/ PARADES, Italian, Music with tags Christmas in Italy, Cristina Fontanelli, Holiday, opera on December 19, 2016 by travsd
We got a badly needed lift yesterday, as well as a much overdue dose of Christmas spirit, and a highly welcome injection of “red sauce” directly into our veins, at Cristina Fontanelli’s 13th Annual “Christmas in Italy” Presentation at the Washington Irving Campus Landmark Theater near Gramercy Park.
Host Ornella Fado of the NYC-TV show Brindiamo! launched the festivities with welcoming remarks and then the mic was passed to world-renowned soprano Fontanelli, founder and prime mover of this heartwarming holiday event, which combines the best of high and popular cultural traditions, ever since its inception. The first half consisted primarily of well-known operatic selections by Italian composers like Verdi, Puccini and Rossini, ending on “The Italian Street Song” from Victor Herbert’s Naughty Marietta. We could have listened to her heavenly singing voice all night, but she generously shared the stage, singing a duet with tenor Blake Friedman (Rossini’s “La Danza”); sharing the spotlight with pianist David Maiullo, and mandolin players John La Barbera, Barry Mitterhoff, and Jay Posipanko; and even turning the stage over to accordionist Angelo Coppola, whom she said she discovered playing on Arthur Avenue in the Bronx’s Little Italy.
That last detail was the kind of touch that particularly endeared her to me, and I believe to most of her audience. Don’t get me wrong — she has the kind of gift, and the kind of skill, that’s liable to make you feel like a piker no matter what you do in life. If you’re a plumber, you’ll say “I’m okay at my job — but I sure wish I was as good at plumbing as she is at singing.” On the other hand, she has this down to earth personality that seemed to shrink the large auditorium down to the size of a family kitchen. Her aunt was there; Fontanelli dedicated a song to her, and got us all to join her in “Happy Birthday”. She greeted old friends in the audience. She grieved for the loss of her mother, who passed away this year. There were hundreds of us in the audience, but the distance between us seemed very small.
And the second half of the show was even warmer and more family-oriented, for that’s when the Christmas part of the program kicked in and we got to hear The Christmas in Italy Choir sing their beautiful rendition of “Silent Night”, and to watch recitals by large numbers of adorable children from The Little Language Studio and the Jersey City Ballet, and to meet the winners of the Miss Italia USA Scholarship Program, and to enjoy Plu Sayampol and his dancers. And to see Santa Claus!
As I’ve been bragging to everybody lately I’m 2% Italian, and that 2% was fully on the ascendant yesterday evening. Afterwards, we rapidly decided what was for dinner. I had the spaghetti and meatballs; my wife had the chicken parmesan. The 14th Annual concert is already on our calendar for next year.
Christmas, Italian, PLUGS with tags Christmas in Italy, Cristina Fontanelli, Washington Irving Campus on December 13, 2016 by travsd
In the midst of darkness, light persists — Gandhi
We are exceedingly glad to get word of this wonderful sounding holiday event. As someone who spent a good part of his adult life in Providence and the Italian section of Williamsburg, I can tell you this with authority — the Italians know how to do Christmas RIGHT. This Sunday Cristina Fontanelli returns with her critically acclaimed Christmas in Italy show to the Washington Irving Campus Concert Hall, promising opera, ballet, Christmas songs, mandolins, accordions, cute children, Santa Claus and free gifts from the show’s sponsor Ronzoni. Featuring kids from the Little Language Studio and Jersey City Ballet, not to mention Fontanelli herself and a professional chorus singing such classics as “Torna a Surriento:, “Tu scendi dalle stelle”, “Silent Night”, “Dominick the Donkey”, “White Christmas”, “Mamma”, “Ave Maria” and “O Sole Mio”.
Che meraviglia! Can’t wait. For tickets and more info go here. And check out photos from past years below:
BROOKLYN, Clown, HOLIDAYS/ FESTIVALS/ MEMORIALS/ PARADES, Indie Theatre, Italian, ME, My Family History with tags Alberti Day, Alberto, Albertus, First Italian American, Italy, Peter Caesar, Pietro Cesare Alberti, Venice on June 2, 2016 by travsd
Today in NYC it’s Pietro Cesare Alberti Day!
On this day in 1635, the gentleman in question arrived in what was then New Netherland and became the first Italian American. You will find the name spelled a zillion different ways, with the Christian names often Anglicized to “Peter Ceasar” and the last name variously rendered as “Albertus”, “Alberto”, and “Alberti. He made his home in Brooklyn (I took the picture of the plaque above near Cadman Plaza). Alberti (1608-1655) was from the Protestant son of a famous Venetian banking family. An Italian Protestant??? That was as unusual then as it is now, and far more dangerous, which was probably why he boogied over to the relatively liberal Dutch American colony. Unfortunately he and his wife were killed y Indians in 1655. Fuhgettaboutit! (Sorry). At any rate, Alberti’s grand-daughter Elizabeth married Dr. John Stewart, progenitor of thousands of contemporary Stewarts, including me.
Anyway, you can’t imagine how ecstatic I was to discover him among my (10th) great grandfathers. To be from contemporary Rhode Island, even one drop of Italian blood bestows a magical amount of self-validation. (See my post on my immigration mania from yesterday). But that’s true of everybody isn’t it? Italy produced the most beautiful woman (Sophia Loren), the most brilliant all-around human (Leonard Da Vinci), the greatest artist (Michaelangelo). All roads lead to Rome! Shakespeare was enthralled with the Italian culture of his times, they influences his plays immensely. (We would particularly like to point out in this context, The Merchant of Venice, written three years before Alberti was born).
And furthermore, to have roots in Venice, above all! Anyone who’s read my writing in any depth knows why this is so important to me. Carnevale! Commedia dell’arte! Masques (and masks)! Banks and Mountebanks!
Va bene! Va bene! Va bene! Viva Italia!
Am I losin’ it? Okay, I’m losin’ it.
Hollywood (History), Italian, Movies, Singers with tags B movies, crooner, Duke Mitchell, gangster, Gone with the Pope, Grindhouse, history, Hollywood, Italian, Like Father Like Son, mafia, Massacre Mafia Style, singer on May 9, 2016 by travsd
Today is the birthday of the one and only Duke Mitchell (Dominic Micelli, 1926-1981). Like most classic comedy and B movie horror fans, I’d long known Mitchell solely as the co-star, with his partner Sammy Petrillo, of the schlock film Bela Lugosi Meets a Brooklyn Gorilla (read more about Petrillo, the team, and that movie here).
You could have knocked me over with a feather when I learned that a little over 20 years later, Mitchell wrote, directed, produced and starred in two films of his own. And yet, when one looks at the films, it all makes sense. Mitchell is often thought of as a lesser Dean Martin (although I tend to think of him as a lesser Steve Rossi). An Italian American crooner, he made his living in big city night clubs and in the resort communities of Las Vegas and Palm Springs. There was more than a little “bada bing” in his act.
In 1974, inspired by films like The Godfather and Mean Streets, Mitchell decided to make his own statement, which he felt would enhance the genre by virtue of his intimate knowledge of gangster types (their experiences and their language), and authentic locations (much of his films were shot at the venues where he performed).
The resulting sui generis genre he invented might be called “goombasploitation”: low-budget, gritty, semi-documentary, completely amoral, and containing enough violence and blood splatter for a horror film. There is something trailblazing about the degree to which Mitchell pushes the profanity and violence. I’d be very shocked if I didn’t learn if Mitchell’s films didn’t turn around and influence Scorsese right back. At the same time, great pains are taken to explain Italian and Italian-American culture to us: monologues about duty and tradition, scenes at Catholic churches and weddings.
His first film Massacre Mafia Style a.k.a Like Father, Like Son (1974) opens in medias res with a pair of hoodlums randomly murdering every single person in an office building. The rest of the film is ostensibly the set-up, justifying the event, but it’s really no justification. The guy just wants to do some crimes. And come to think of it, isn’t that the plot of every goddamn irredeemable Ocean’s 11 movie?
The following year, Mitchell made Gone With the Pope, which went unreleased until 2011. Though finished in 1975, it lay on a shelf for years. Mitchell died of lung cancer in 1981 and it was decades before the virginal work print was discovered.
Like any good follow up picture, this one ups the ante substantially. Whereas the hero (antihero) of Massacre Mafia Style merely wanted to conquer Hollywood, Mitchell’s character in Gone with the Pope schemes to “snatch” His Holiness….and then charge every Catholic in the world one dollar for his release. Any moral intent the film may possess may be undercut by the scenes of gangsters roughing up a 350 lb naked hooker:
I think it’s fair to say that Duke Mitchell remained ahead of his time for the entirety of his career.
Ballroom/ Big Band/ Swing, Hollywood (History), Italian, Movies, Music, Radio (Old Time Radio), Singers, Vaudeville etc. with tags Big band, crooner, gun accident, Hollywood, Italian, performers, radio, Russ Columbo, singer, stars, vaudeville on January 14, 2016 by travsd
Today is the birthday of Russ Columbo (Ruggiero Eugienio di Rodolpho Colombo, 1908-1934). One of 12 children born to Italian immigrants in Camden, New Jersey, Columbo was already playing violin professionally in bands in vaudeville houses and nightclubs by the age of 13 (1921).
By the late twenties, he was a member of Gus Arnheim’s orchestra, one of the top dance bands in the country, and taking the occasional lead vocal. He can be seen with Arnheim’s band in two early Vitaphone films, released in 1927 and 1928. Interestingly he can also be seen (but not heard) in the 1929 silent film The Wolf Song, with Gary Cooper and Lupe Velez.
Columbo’s career truly took off when songwriter Con Conrad became his manager. Conrad landed Columbo his own nationwide radio show at NBC in 1931, and his crooning made him one of the top heart throbs of the day, usually mentioned in the same breath with Bing Crosby and Rudy Vallee. His theme song was “You Call it Madness, But I Call it Love”. He is also associated with two songs he co-wrote with Conrad, “Prisoner of Love” and “Too Beautiful for Words”. As the 30s rolled on, Columbo was having success in Hollywood as well. Often he played himself in nightclub scenes, but he also has a role in the all-star Broadway Thru a Keyhole (1933), and had top billing in the 1934 film Wake Up and Dream, his last, with a familiar plot about a love triangle amongst vaudevillians.
Unfortunately it was all cut short in 1934, by what seems to have been a freak accident…but sounds awfully suspicious to me! He was visiting a friend named Lansing Brown, when Brown claims to have lit a match too near an old fashioned dueling pistol, which discharged, shooting Columbo, who was across the room, in the forehead. It may well be true — but if I were a juror at this trial, I would definitely be scowling.
There is a “James Dean” aspect to Columbo’s sad death. He was so young (26) and was really at the top, with higher heights about to happen. He was slated to star in a film adaptation of the musical Show Boat next, and his current girlfriend was Carole Lombard.
But, no, no you go ahead and keep your guns! I can see why you want to play with them! Hours of enjoyment!
To find out more about the history of show business, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.
Broadway, Child Stars, Hollywood (History), Italian, Melodrama and Master Thespians, Silent Film, Vaudeville etc., Women with tags actor, actress, Broadway, Edith Taliaferro, legit, performers, Rebecca of Sunnybrook Farm, silent film, stars, theatre, vaudeville on December 21, 2015 by travsd
Today is the birthday of Edith Taliaferro (1894-1958). Taliaferro was born into a theatrical family in Richmond Virginia. Not only were her parents in the theatre but so were her sister (Mabel Taliaferro) and her cousin (Bessie Barriscale). While her surname is Italian, her family doesn’t fit the customary American immigration profile: the Taliaferros had moved to the U.S. in the early years of the 17th century.
Taliaferro was a “legit” performer who had made her stage debut at age two. Her greatest successes were as a child actress, in roles like Puck in A Midsummer Night’s Dream, and the the title parts in Polly of the Circus and, her most famous role, Rebecca of Sunnybrook Farm. She was also in the original Broadway production of Mrs. Wiggs of the Cabbage Patch. She acted on Broadway through 1935, and also appeared in three silent films: Young Romance (1915), The Conquest of Canaan, 1919 and Who’s Your Brother? Like many of the legit actresses of her day she also toured with one act plays in big time vaudeville, notably New York’s Palace Theatre. Sadly, she lost her vision in the late 1930s, forcing an early retirement from the theatre.
To learn more about vaudeville, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.