Archive for the PLUGS Category

What’s Up at Coney

Posted in AMERICANA, Coney Island, Contemporary Variety, EXHIBITIONS & LECTURES, Magicians/ Mind Readers/ Quick Change, PLUGS, SOCIAL EVENTS with tags , , , , , , on March 13, 2017 by travsd

We all associate Coney Island with summer (it’s a beach and amusement park after all), but it may be a lesser known fact that there’s stuff happening at Coney Island USA all through the winter season as well. For example, most every Sunday Gary Dreifus presents his kid friendly Magic at Coney show. I was mightily entertained by Mr. Dreifus’s feats in yesterday’s show, as well as those of his special guests Magical Vince and Phil Crosson.  Here’s next week’s line-up:

The magic show takes place in the Coney Island Museum,  open on weekend throughout the winter. The museum has recently been spruced up with some new displays and wall text

 

Koo Koo the Bird Girl and her jolly friend (okay, he’s dressed like a jester, but I don’t know how jolly he is).

 

 

“Slapstick Used By Angelo the Midget at the Steeplechase Blowhole”

And now there is a whole new Hot Dog section of the museum featuring items like:

 

These stained glass windows are from the original Feltman’s Restaurant, birthplace of the hot dog

Thence (the real pull for the day) a special preview event for the new exhibition Five Cents to Dreamland: A Trip to Coney Island, created and curated by the New York Transit Museum. 

A 1998 sideshow banner by the one and only Marie Roberts!

A genuine vintage Strength-Tester mallet.

 

CIUSA Founder Dick Zigun (center): with Concetta Bencivenga, director of the NYTM; and John di Domenico, who serves on the boards of both organizations

 

Coney’s own Patrick Wall, Your Mix-Master

 

CIUSA board members James Fitzsimmons and Dr. Jeff Birnbaum, with Birnbaum’s son

 

Coney Island USA’s annual gala is happening in just two weeks, March 25! An all-star cast celebrating the 35th anniversary of the Mermaid Parade with a Corral Jubilee! Follow this magical portal for tickets and details! 

 

Tomorrow: The Silent Clowns Presents the Greatest Silent Comedy Feature You’ve Never Seen

Posted in AMERICANA, Comedians, Comedy, Hollywood (History), Movies, PLUGS, Silent Film with tags , , , , , , , , on March 10, 2017 by travsd

Tomorrow, March 11, 2017 at 2:30pm, at Lincoln Center Library, the Silent Clowns Film Series will present the hilarious Raymond Griffith feature Hands Up! (1926).

Griffith’s stock has been rising in recent years, thanks largely to screenings like this, and most aficionados today rank him as something like “the 5th or 6th genius of silent comedy”, somewhere just behind Chaplin, Keaton, Lloyd and Langdon. Of those I just mentioned Griffith has the most in common, I suppose, with Lloyd, in being less clown-like, more of a comic actor, although his character is very different from Lloyd’s. (For more on Griffith, read my full tribute).

At any rate, my provocative title presumes you’ve already seen every feature by Chaplin, Keaton, Lloyd and Langdon. Hands Up! (1926) is close to them in quality. It is considered Griffith’s finest and best known film. It is a Civil War comedy told from the point of view of the South — released an entire year before Keaton’s The General.  Griffith plays a dashing Confederate spy on a mission to steal Yankee gold. Along the way, he constantly gets into fixes and coolly extricates himself from each one. Its most famous sequence has Griffith up against a wall in front of a firing squad. He gets himself out of the pickle by throwing dinner plates into the air at the crucial second, which his executioners are then obliged to shoot at, thinking they are clay pigeons.  The father of both of his love interests (he is equally in love with two sisters) is played by Mack Swain, in his first role after The Gold Rush.

Full details at the Silent Clowns web site. 

For more on silent and slapstick comedy film please see my new book Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Media, also available from amazon.com etc etc etc

Happy 100th Birthday to Jazz!

Posted in Contemporary Variety, Dixieland & Early Jazz, Music, PLUGS, SOCIAL EVENTS with tags , , , , , , on February 26, 2017 by travsd

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On Feb. 26, 1917, exactly 100 years ago, The Original Dixieland Jass Band (ODJB) made the first-ever commercial jazz recording,”Livery Stable Blues,” for the Victor Talking Machine Company. An instant hit, selling close to a million copies, the record paved the way toward establishing jazz as popular music and ushered in the Jazz Age. (Naturally, jazz itself had been developing and percolating for years, even decades prior to this, and took several years after this gain mainstream popularity, but today is without a doubt an important cultural benchmark).

The Grand St Stompers will celebrate this historic occasion, as well as paying homage to one of the members of ODJB, J. Russel Robinson, for his contribution to jazz and American popular music with an all-new show! Robinson was an American ragtime and jazz pianist and composer whose early hits included “Sapho Rag” and “Eccentric.” Known for his blues-influenced playing style, Robinson joined the Original Dixieland Jass Band in 1919. Among his hits for ODJB were composition such as “Margie,” “Singin’ the Blues,” and “Palesteena.” In 1977, Robinson’s “Singin’ the Blues,” a 1927 recording by Frankie Trumbauer and his Orchestra, was inducted into the Grammy Hall of Fame.

The concert will start with a talk and antique gramophone presentation by MICHAEL CUMELLA (aka Phonograph DJ Mac), the host of WFMU Radio’s Antique Phonograph Music Program.

This night will be dedicated to the great Rich Conaty, who for 40 years, every Sunday night, spread joy to the lovers of hot jazz with his irreplaceable Big Broadcasts. Rich tragically left us in December. On the day of the concert, we will remember Rich and sign off the night with his trademark “Aloha.”

The Grand St. Stompers Octet:
Gordon Au – trumpet, arranger / Molly Ryan – vocals / Matt Koza – soprano sax, clarinet / Dan Block – tenor sax, clarinet / Jim Fryer – trombone / Dalton Ridenhour – piano / Rob Adkins – bass / Jay Lepley – drums

SUNDAY, FEB. 26 — 8PM
DROM
85 Avenue A (btwn 5th & 6th Sts, Manhattan, NY)

Sponsored by Wits End

TICKETS/INFO: NYHOTJAZZFEST.COM
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ADVANCE TICKETS:
General Admission – $10
Reserved Table Seating – $20
PRIME Reserved Table Seating – $25
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DOOR Price +$10 on all ticket levels

DOOR TICKETS:
General Admission – $20
Reserved Table Seating – $30
PRIME Reserved Table Seating – $35
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Once the ADVANCE ticket block is sold out, tickets will be available at the DOOR price.
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Presented by Hot Jazz Productions Inc & PM Music Enterprises (Peter Marcovicci)

Coney Island USA’s Spring Gala is One Month from Today!

Posted in BROOKLYN, Coney Island, Dime Museum and Side Show, PLUGS, SOCIAL EVENTS with tags , , , , on February 25, 2017 by travsd

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It’s International Commedia dell’Arte Day

Posted in Clown, Comedy, Italian, LEGIT, EXPERIMENTAL & MUSICAL THEATRE, PLUGS with tags on February 25, 2017 by travsd

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February 25 is International Commedia dell’Arte Day! Commedia is the root of everything, and I’m thinking it’s no accident the planners hold this annual event so close to Carnival, the festival season of masks and mayhem. To learn more about it, I’ll connect you with a number of handy links. Nothing happening in New York or Washington (home of Faction of Fools, organizers) this year it appears, I’m afraid. The flagship event is being held in Sydney, although it looks like the Pazzi Lazzi Troupe is doing a free event in Boston:

http://www.incommedia.org/

https://www.commediadellarteday.org/default.asp

http://www.factionoffools.org/cdaday

http://foolsinprogress.com/international-commedia-dellarte-day-2017/

Help Charles Lane Make His New Web Series

Posted in African American Interest, Movies, Movies (Contemporary), PLUGS with tags , , , , , , on February 21, 2017 by travsd

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No one is happier than this commentator to see actor/director Charles Lane re-emerging from wherever he’s been for the past 20 years. Lane’s day in the sun was 1989-1993, when he had an extremely promising, very interesting run. His debut silent feature Sidewalk Stories put him on the map as the “Black Chaplin“, and today it’s not only an incredible record of a very different NYC (the one I moved to, in fact, so it makes me nostalgic) but to a time when film-makers were putting that much heart and humanity into their work. There is zero commercialism in his film, just integrity and craft, and at the time, that was still enough to make people take notice. I wrote about the film here when its was restored and shown at Tribeca Film Festival back in 2014. I found the film transformational.

The success of Sidewalk Stories landed Lane a gig directing a film for Touchstone in 1991; British comedian Lenny Henry’s American debut entitled True Identity. I saw it when it came out, and it seemed to make a lot of sense for both Lane and Henry conceptually. It’s very high concept; not unlike Tootsie. A black actor puts on white make-up so he can escape from the mob. It has echoes of Godfrey Cambridge in Watermelon Man, and presages the Wayans Brothers in White Chicks. Both Lane and Henry did fine work, but the script itself was pretty lacklustre (Touchstone is Disney after all, so this potentially explosive concept was at best timidly explored). And Henry didn’t click as a star in the states. Lane himself also appeared in the film, and was quite funny. In 1993, he was the comic relief in Mario Van Peebles’s interesting all-black western Posse. That year he also directed an episode of American Masters called Hallelujiah, with a cast that included James Earl Jones, Keith David, Ruth Brown, Isaac Hayes and others.

On the face of it, he seemed to be a guy who was going places, but after this he vanished,emerging only recently with the renewed interest in Sidewalk Stories. I’ve come across no commentary as to why. People do get discouraged in this business, even people as talented and promising as Lane. And I can imagine the sort of projects that typically get offered to African American artists being insulting in any number of ways. And that could add to the discouragement. All I know is I am glad to have him back. We need art right now, especially art with Lane’s sensibility. He’s just launched this Kickstarter for a new web series called Please Date Me Now. I don’t have a pot to piss in at the moment; all I can do is endorse his talent and the idea that he deserves your backing. Learn all about the project here.

Tonight: Leah, the Forsaken

Posted in Indie Theatre, Melodrama and Master Thespians, PLUGS with tags , , , on February 10, 2017 by travsd

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At Travalanche we are of the opinion that all who were once household words…should always be so. My friends at the Metropolitan Playhouse share a similar mission, making the works of pivotal theatremakers from earlier times live and breathe today. One of these is Master of Melodrama Augustin Daly, and their present offering of his play Leah the Forsaken (opening tonight) couldn’t be more timely: it’s all about a persecuted refugee. The more things change, the more they stay the same! The Metropolitan’s work is always top-notch, educational, and thought-provoking. Get your tickets for Leah the Forsaken here.

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