Archive for the Clown Category

Stars of Vaudeville #1032: Pepito and Joanne

Posted in Clown, Comedy, Dance, Vaudeville etc. with tags , , , , , , on February 16, 2017 by travsd

joanne_pepito1937

Today is the birthday of Jose Escobar “Pepito” Perez (1896-1975). Originally from Barcelona, Pepito got his start as a clown in Spain in 1914. He came to the U.S. in 1922 and performed on the Keith and Orpheum circuits.

joannevaudact

In 1928 he met dancer and contortionist Margaret Janet Zetteler (or Zettler, 1908-2004) at Grauman’s Chinese Theatre, when both were booked to perform before screenings of Charlie Chaplin’s The Circus. They teamed up, both onstage and off, and Zetteler’s name became Joanne Perez.

As vaudeville dried up they began performing at night clubs in the late 1930s an 1940s. Over the years, Pepito got various small roles on film and television, including several shots on I Love Lucy. They opened the Pepito and Joanne Academy of Dance, which Joanne continued to run for decades after Pepito passed away. Pepito also ran a charter fishing business.

The keep of all things Pepito and Joanne is Melani Carty, who runs the Pepito and Joanna tribute website. The photos above are from that site. Check it out here.

For more on vaudeville historyconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.

safe_image

Barry Lubin Becomes the First Clown to Clown on Seven Continents

Posted in Circus, Clown, Contemporary Variety, Travel/ Tourism with tags , , , , on January 14, 2017 by travsd

15977675_10153933940546157_4809303792495603494_n

In the midst of so many horrible precedents, and history being made in so many undesirable ways, something truly amazing happened. The great Barry Lubin, best known as the Big Apple Circus’s “Grandma”, became the first clown in history to have performed on all 7 continents. I want to be able to claim that he was also the first professional clown to perform in Antarctica but I’m not certain if that’s true (hundreds of people go down there annually to work now, and thousands of tourists visit annually on cruises). But I’m certain Lubin’s the first clown of such major stature to do so. The word “wonder” gets thrown around too much in the circus game, but this for once is a novelty that will put a spring in my step for some time. Thanks, Barry! This is in the great Houdini tradition, just going out in the world and doing something plum amazing to give the public a boost — just when we needed it the most.

Repose en Paix, Pierre Étaix

Posted in Clown, Comedy, Frenchy, Movies (Contemporary), OBITS with tags , , , , , , on October 14, 2016 by travsd

Something fitting about Dario Fo and Pierre Etaix passing away within hours of each other. French clown, actor and comedy film-maker Etaix (1928-2016) was one of the happy discoveries I learned about when researching my book Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to YoutubeI seem to recall first hearing about the artist from Steve Massa, and there was a big screening of his films (which had long been unavailable) at the Film Forum a couple of years ago.

Etaix is often associated with Jacques Tati (for whom he assistant directed, and with whom he got his start) but his character and his style are very different. He was also in the Jerry Lewis movie The Day the Clown Cried (1972), which it looks like we’ll all finally get to see at some point in the not too distant future. Etaix had many more screen credits as an actor than as a director. He only directed a few films; most of them are available on Youtube. I watched ’em all. This one is probably my favorite, and how perfectly timed for Hallowe’en (there’s more than a little Hammer Horror parody in the fantasy sequences here–very well done) . The film is called Insomnia (1961).  Even so, I hope you sleep well, grand-père drôle!

Groucho Marx: Bouffon

Posted in Clown, Comedians, Comedy, Comedy Teams, Marx Brothers with tags , , , , , , , on October 2, 2016 by travsd
imgres

“No Matter what it is or who commenced it — I’m against it!”

Today is the birthday of Groucho Marx. I’ve done over a hundred blogposts on the Marx Brothers as a team; but very rarely focusing solely on my favorite comedian (okay, he vies for the top spot with a short list of others). This one was prompted by a query I got from a young comedian named Darius Emadi a few months ago. His question was quite simple, but so revolutionary and new and unprecedented, I was taken quite aback and thought about it for days. I have been planning this post ever since then.

The question was this: “Groucho Marx: Clown or Bouffon”? The answer is immediately apparent. No rumination required. Groucho is a bouffon. And that realization came as such a delightful thunderbolt. The idea of bouffon is the perfect frame for thinking and talking about Groucho. And yet this conceptual tool is so new that it’s only recently become available. And the misconception that Groucho is a clown in the conventional sense has driven so much that’s been so misguided, including his casting in films, and criticisms and appreciations by fans and writers.

I’ve written a bit about bouffon here and here. (I urge you to follow the links and explore. It will provide much background and insight and relieve me from having to remake the wheel here). Bouffon certainly grew out of clowning, much as Lucifer fell out of the choirs of heaven. It has much in common with that ancient art on the outside: exaggeration, costume, make-up and the goal of making people laugh. What it does not share with clown however, and this is crucial, is a need for SYMPATHY. In fact, bouffons are profoundly UN-sympathetic. It is what they are there for. They are nasty. They are the nasty parts of us made manifest. Groucho exists to confuse, lacerate, run rings around, fuck with, tweak, rattle, undermine and muss up the people around him. He exists to break things down, not build them up. The essence of his character is not to help people, and neither does he want nor deserve help. On those occasions in his early vehicles where he does assist the perfunctory ingenue or some stuffed shirt of a leading man, it is because it is part of the conventions of the format, which he subverts with every breath he draws. He has no “heart”. The attempts to impose one on his character in his later movies are like trying to graft an elephant’s trunk onto an octopus. This organ does not belong here! It is useless and irrelevant to this character. This is not to rail against goodness and emotion and altruism. My point is that everyone else has those. Some characters do not. Groucho does not. Thus Charlie Chaplin is a clown. Groucho Marx is a bouffon.

Mr. Emadi gave me great hope with his question by even asking it. By even thinking to ask it. By even knowing to ask it. Not for some egghead reason, though you’ll probably think so if you’re a complete philistine, as most people are. But, the fact remains that I myself am not a scholar. I have no degree, I am not affiliated with any institution, I contribute to no scholarly journals, I do not speak at symposia. I consider myself first and foremost a theatrical practitioner. Sometimes I write it, sometimes I direct it, sometimes I perform it, sometimes I produce it, sometimes I review it. And part of living that life, according to my philosophy, is mastering its history. So sometimes I write about it. That’s just part of the gig. I’ve always felt that way. Have you ever met a magician? I know quite a few of them. And one thing I’ve observed ACROSS THE BOARD is that they are absolute geeks about the history of their art form — back to EGYPT! — and they’ve always been that way.  And I really feel actors and comedians should aspire to the same level of awareness. They certainly used to. That was the vaudeville way. Sometime around the 1960s, I think many began to cut loose from the moorings.

And contemporary Hollywood has so much to do with that,I think, this severing ties with tradition. And it happened in the same time frame, when “the business” became disconnected from its mother art, the theatre, and when self-respect became secondary to the bottom-line — a bottom line in a culture where everyone is racing to the bottom. The kind of thing that’s always bothered me: brilliant comic geniuses like Steve Martin (a philosopher and art collector) and Robin Williams (a Julliard grad) churning out the worst crappy movies for decade after decade…and then throw the art form a bone when they do Waiting for Godot in private for two weeks at Lincoln Center with Bill Irwin. I feel like you have a responsibility to the public, man. A great quote from the late Edward Albee (thanks Yvonne Roen!): “Don’t GIVE the people what they want. TELL them what they want.” Be a leader — LEAD. Make the culture better. Don’t degrade yourself. Especially when you’re a Hollywood player with wealth, power and fame at your disposal.

So what I love about Emadi is not that he’s an egghead — he’s actually a stand-up comedian. And he’s also studying clown in France. It won’t ruin him. So did Sacha Baron Cohen, whom I also admire. And really ultimately, in their way, so did Mack Sennett and Charlie Chaplin. Know whereof you speak and speak it. Anything else is to be a worm. You know what Groucho was doing when he wasn’t lampooning academia in Horsefeathers? He was compulsively reading books.

On the First Italian American

Posted in BROOKLYN, Clown, HOLIDAYS/ FESTIVALS/ MEMORIALS/ PARADES, Indie Theatre, Italian, ME, My Family History with tags , , , , , , , on June 2, 2016 by travsd

Albertiredo

Today in NYC it’s Pietro Cesare Alberti Day!

On this day in 1635, the gentleman in question arrived in what was then New Netherland and became the first Italian American. You will find the name spelled a zillion different ways, with the Christian names often Anglicized to “Peter Ceasar” and the last name variously rendered as “Albertus”, “Alberto”, and “Alberti. He made his home in Brooklyn (I took the picture of the plaque above near Cadman Plaza). Alberti (1608-1655) was from the Protestant son of a famous Venetian banking family. An Italian Protestant??? That was as unusual then as it is now, and far more dangerous, which was probably why he boogied over to the relatively liberal Dutch American colony. Unfortunately he and his wife were killed y Indians in 1655. Fuhgettaboutit! (Sorry). At any rate, Alberti’s grand-daughter Elizabeth married Dr. John Stewart, progenitor of thousands of contemporary Stewarts, including me.

Anyway, you can’t imagine how ecstatic I was to discover him among my (10th) great grandfathers. To be from contemporary Rhode Island, even one drop of Italian blood bestows a magical amount of self-validation. (See my post on my immigration mania from yesterday). But that’s true of everybody isn’t it? Italy produced the most beautiful woman (Sophia Loren), the most brilliant all-around human (Leonard Da Vinci), the greatest artist (Michaelangelo). All roads lead to Rome! Shakespeare was enthralled with the Italian culture of his times, they influences his plays immensely. (We would particularly like to point out in this context, The Merchant of Venice, written three years before Alberti was born).

And furthermore, to have roots in Venice, above all! Anyone who’s read my writing in any depth knows why this is so important to me. Carnevale! Commedia dell’arte! Masques (and masks)! Banks and Mountebanks!

Va bene! Va bene! Va bene! Viva Italia!

Am I losin’ it? Okay, I’m losin’ it.

Archellino_mask

Tonight! See “Old Hats” Streaming Online!

Posted in Broadway, Clown with tags , , , , , , on April 2, 2016 by travsd

homepagebanner

Tonight (April 2, 2016)!  BroadwayHD will be streaming live Signature Theatre’s production of Old Hats with Bill Irwin and David Shiner so you can see it from the convenience of your own home! And they also have several other shows on tap and on demand. I noticed the current production of Sam Shepard’s Buried Child ; that would be high on my list. This is an idea whose time has come and I think the possibilities are limitless.   Tonight’s show streams at 8pm at https://www.broadwayhd.com/.

imgres

Take This Class With One of the Funniest Performers I Know

Posted in Clown, Comedy, Contemporary Variety, PLUGS with tags , , , on January 5, 2016 by travsd

49357a1d-d6e4-4b32-8858-33156e61447f

%d bloggers like this: