This summer will mark the 50th anniversary of the Ridiculous Theatrical Company. Our most avid readers know this is a subject near and dear to my heart. I have blogged previously about the company’s founder Charles Ludlam; about frequent Ridiculous collaborator Ethyl Eichelberger; about the company that Ludlam’s broke with, John Vaccaro’s Playhouse of the Ridiculous; about performance artist Penny Arcade, who got her start in Ridiculous productions; and about Charles Busch, who had an early affiliation with the company. The Ridiculous cast a long shadow; major artists who acknowledge the company’s influence include Bette Midler (who is also not incidentally a vocal fan of my book No Applause); John Waters, and his core cast members, such as Mink Stole; as well as Jennifer Miller’s Circus Amok; and Dick Zigun of Coney Island USA.
And yes, your humble correspondent. Most of my plays owe something to Ludlam and the Ridiculous and I usually give a shout-out where its due. (I confess I even got involved with a woman once, seduced largely by her former ties to the legendary company). It was the thrill of a lifetime when Everett Quinton, Ludlam’s successor as company artistic director and long time company member, appeared in my play Horse Play, or The Fickle Mistress at La Mama two years ago. Everett was generous enough to join me recently, along with Nick Viselli of Theater Breaking Through Barriers, to discuss their 50th anniversary celebrations and revival of Ludlam’s last play The Artificial Jungle for Chelsea Now. Read my article here.
We’ll likely be blogging lots more about this auspicious occasion, so stay tuned!