A few scraps on Florence Brady (Florence A. McAleer, ca. 1902- ca. 1943) We first learn of her in the 1920 Broadway show Her Family Tree, with Nora Bayes and Julius Tannen. She appeared in vaudeville throughout the 1920s with an act called “Miles of Smiles”. She was noted for her big personality, as funny as she was entertaining with a song. In 1926 he was featured in Earl Carroll’s Vanities.
In 1928, she recorded two Vitaphone shorts — the chief reason she is known by anyone today. A Cycle of Songs is the only that survives in complete form. She is terrific — she sings a very minstrel influenced set that includes “Sunshine”, “Now That She’s Off My Hands”, climaxing with an animated version of “Here Comes the Show Boat”. Her other Vitaphone, Character Studies apparently included the numbers “There’ll Be Some Changes Made”, “I’m a Demon with the Ladies”, and “That’s My Weakness Now”, but the sound disk is lost as of this writing.
Somewhere in here Brady met and married another performer named Gilbert William “Gil” Wells (1893-1935). A little more is known about Wells. He also recorded a Vitaphone in 1928 which survives, entitled A Breeze from the South. In his act, the multi-talented sang, danced, played piano and clarinet, and told jokes between numbers. He was also prolific songwriter, known for tunes like “Insufficient Sweetie”, “Sadie Green, The Vamp of New Orleans” and “You May Be Fast (But Your Mama’s Gonna Slow You Down)”.
Brady and Wells started performing as a two-act around this time; I came across a notice of their performance in Flushing, Queens in 1930. They didn’t have much time together. He was dead in 1935 (and vaudeville was dead a few years before that). Brady reportedly died in the early 40s of cirrhosis of the liver.
To find out more about the history of vaudeville, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.