I discovered Doodles Weaver (1911-1983) by a path that might confound his long time fans. But then, his was a most confounding life and career. I noticed him in the 1971 low budget exploitation horror film The Zodiac Killer. He played a goofy neighbor, and like I often do, I semi-recognized him. I went, “That’s gotta be somebody! Who is that?” But remember the surroundings: this was a Grade Z cheapie of a movie; like a lot of similar low budget movies of the time, it literally looks like a home movie. 95% of the cast are amateur non-actors.
Reasons why it’s odd to find him in such surroundings: 1) he was of wealthy family and very old American WASP stock; and 2) he wasn’t a nobody, he had a certain measure of mainstream fame.
And yet a reason why it wasn’t so odd to find him in this movie: he kind of showed up everywhere and did everything; this was true throughout his career.
Of his family: his full name was Winstead Sheffield Glenndenning Dixon Weaver. “Doodles” is one of those humiliating WASP nicknames. I’ve known Trips, Crickets, Corkys, Bunnys, etc. He was one of those. His older brother was Pat Weaver, President of NBC, and the creator of The Today Show, among much else. Pat’s daughter Sigourney Weaver achieved fame after Doodles had passed away.
Doodles went to Stanford, where he wrote for the campus humor magazine. In the ’30s, he seems to show up immediately on radio, without the usual early formative period in vaudeville and night clubs. This was probably through the help and influence of Pat, who was already producing Fred Allen’s Town Hall Tonight by the mid-30s. Doodle was a semi-regular guest on Rudy Vallee’s show and Kraft Music Hall. At the same time, he was getting bit parts in Hal Roach and Columbia comedies, supporting such comedians as Laurel and Hardy and The Three Stooges. From the mid to late 1940s, he was a star of Spike Jones band and radio show, achieving even greater fame.
1951 was probably the peak of his career, when he had his own television comedy variety show The Doodles Weaver Show, which made full use of Doodles’ mugging and face pulling abilities. It’s both anomalous and delightful. This educated, well-off man, whose sensibilities were so unpretentious and low-brow. During these same years he wrote for Mad magazine!
He continued to be a frequent presence on tv after his show went off the air, on Spike Jones show, Batman, The Monkees. In 1965 he starred in a series of kiddie show segments called A Day with Doodles (1965). In 1966 he released a parody version of “Eleanor Rigby”!
And he continued to play bit parts in movies. I had seen him in films countless times prior to The Zodiac Killer, which is clearly why I recognized him. He played the hardware store owner in It’s a Mad, Mad, Mad, Mad World (1963). He’s the boat operator in The Birds (1963). He’s in Jerry Lewis’s The Nutty Professor (1963) and Which Way to the Front (1970)! He’s in Kitten with a Whip (1964)! He’s in William Castle’s The Spirit is Willing (1967). He’s in Bob Hope’s last movie Cancel My Reservation (1972)!
So how he wound up in The Zodiac Killer is both confusing and not confusing. On the one hand, he didn’t have to. He was famous and clearly had famous friends who were happy to showcase him. Did he lose a bet? Was he doing someone a favor? On the OTHER hand, he sort of did everything. His career was a bit of “throwing spaghetti at the wall.”
He’s still doing his usual sort of turns throughout the 70s. He’s in movies like Banjo Hackett (1976) and Won Ton Ton, The Dog That Saved Hollywood (1976). He’s on Starsky and Hutch and Fantasy Island. His last film was the independent science fiction film Earthbound (1981), starring Burl Ives.
Then, in 1983, Weaver’s sad and shocking death by suicide. Apparently despondent over ill health, he shot himself twice in the chest. His body was discovered by his son. It’s a Hollywood ending not out-of-step with the tone of The Zodiac Killer.
But there’s more to his story going forward. Weaver was working on a memoir at the time of his death entitled Golden Spike. Apparently it was close to publication but then withheld. If anyone knows of the whereabouts of the manuscript, please bring it forward. The public has a right to know!