I first became aware of Connie Russell (1923-1990) when I saw her as the femme fatale in the extremely cool noir thriller Nightmare (1956) with Edward G. Robinson and Kevin McCarthy. I said, “Yowsa, who’s THAT?!” I was shocked next to learn that she only had a tiny handful of film credits, usually either as an extra or the singer in a cabaret or nightclub scene. Nightmare, her last role, was also her biggest and best.
Russell was third generation show biz. Her paternal grandparents were the vaudeville team of Glenroy and Russell. Her parents Tommy and Nina Russell also had a vaudeville team, and Connie first joined them onstage when she was only two years old. By the time she was 11, Russell was already a solo. By the time she was a teenager she was singing at nightclubs and such venues such as New York’s Paramount Theater. At 14 she had a tiny role in the English film Melody and Romance; at 16, she signed with MGM. Unfortunately, they gave her little to do. She got to sing a number in Lady be Good (1941) but after that she mostly had uncredited walk-ons.
The bulk of her show biz resume consisted of an extremely robust recording career, live performance, and frequent radio tv appearances, including a stint as a regular on Garroway at Large (1949), and lots of guest shots on the variety shows of Ed Sullivan, Eddie Cantor, Milton Berle and Steve Allen. A part in the film Cruisin’ Down the River (1953) briefly revived the idea of a movie career, but Nightmare did not lead to other roles. She retired from show business in the early 1960s.
To find out more about the history of vaudeville and variety entertainment, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.