Archive for March 13, 2017

What’s Up at Coney

Posted in AMERICANA, Coney Island, Contemporary Variety, EXHIBITIONS & LECTURES, Magicians/ Mind Readers/ Quick Change, PLUGS, SOCIAL EVENTS with tags , , , , , , on March 13, 2017 by travsd

We all associate Coney Island with summer (it’s a beach and amusement park after all), but it may be a lesser known fact that there’s stuff happening at Coney Island USA all through the winter season as well. For example, most every Sunday Gary Dreifus presents his kid friendly Magic at Coney show. I was mightily entertained by Mr. Dreifus’s feats in yesterday’s show, as well as those of his special guests Magical Vince and Phil Crosson.  Here’s next week’s line-up:

The magic show takes place in the Coney Island Museum,  open on weekend throughout the winter. The museum has recently been spruced up with some new displays and wall text

 

Koo Koo the Bird Girl and her jolly friend (okay, he’s dressed like a jester, but I don’t know how jolly he is).

 

 

“Slapstick Used By Angelo the Midget at the Steeplechase Blowhole”

And now there is a whole new Hot Dog section of the museum featuring items like:

 

These stained glass windows are from the original Feltman’s Restaurant, birthplace of the hot dog

Thence (the real pull for the day) a special preview event for the new exhibition Five Cents to Dreamland: A Trip to Coney Island, created and curated by the New York Transit Museum. 

A 1998 sideshow banner by the one and only Marie Roberts!

A genuine vintage Strength-Tester mallet.

 

CIUSA Founder Dick Zigun (center): with Concetta Bencivenga, director of the NYTM; and John di Domenico, who serves on the boards of both organizations

 

Coney’s own Patrick Wall, Your Mix-Master

 

CIUSA board members James Fitzsimmons and Dr. Jeff Birnbaum, with Birnbaum’s son

 

Coney Island USA’s annual gala is happening in just two weeks, March 25! An all-star cast celebrating the 35th anniversary of the Mermaid Parade with a Corral Jubilee! Follow this magical portal for tickets and details! 

 

Albert Carroll: Kind of a Drag

Posted in Broadway, Dance, Drag and/or LGBT, Impressionists with tags , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2017 by travsd

Today’s as good a day as any to tell you about Albert Carroll, an extraordinarily talented and well-known guy in his day to have become so obscure in ours. Carroll was a Broadway actor,  dancer, impressionist, female impersonator, lyricist and choreographer. Sources differ as to his birth. IBDB gives ca. 1895-1956, and a 1900 Chicago census seems to bear this out. IMDB gives march 13, 1898 through 1970, although they might be conflating him with another Albert Carroll, possibly the New Orleans piano player, who was African American. To further confuse matters, our subject sometimes rendered his name as Albert J. Carroll.

I’ve gotten some info about his earliest years from F. Michael Moore’s book Drag! Male and Female Impersonators on Stage, Screen and Television. Moore says that Carroll staged an amateur revue in Chicago when he was 16, and that when he got to New York, he performed during interludes in silent movie screenings. About his private life, or how he came to New York I’ve so far found nothing. Since his earliest credits were all with the Neighborhood Playhouse we can make some deductions about he got his start on the stage. The Neighborhood Playhouse was founded in 1915 and had grown out of youth education programs at Henry Street Settlement on the Lower East Side, which remains a center of theatrical activity to this day. Carroll’s first couple of shows with the company appear to have opened at the downtown theatre and then moved to the Maxine Elliott Theater on Broadway.  He’s about the right age to have been involved with Henry Street’s theatre programs in his late teens and young adulthood, and gotten involved with the company that way. His first professional credit was a show based around visiting British actress Gertrude Kingston in 1916. The next was a play called 39 East by Rachel Crothers in 1919, in which Carroll appeared with Henry Hull and Alison Skipworth. It was made into a silent film the following year with a much of the same cast, including Carroll.

For the next three decades Carroll was to be a star of Broadway, often with Neighborhood Playhouse productions, in over three dozen shows. He was a notable stand-out as performer, choreographer and lyricist in several editions of the revue called the Grand Street Follies, participating in the inaugural 1922 edition, as well as ones in annual editions from 1924 through 1929. Other revues he appeared in included The ’49ers (1922),  The Garrick Gaieties (1930), The Ziegfeld Follies (1931) and The Seven Lively Arts (1944). In these revues he was famous for impersonating famous actors and dancers, many or most of whom were female.  He did impressions of both John and Ethel Barrymore. He also did Pavlova, Irene Castle, Lynn Fontanne, Bea Lillie, Gertrude Lawrence, Laurette Taylor, Groucho Marx, and NYC Mayor Jimmy Walker.   Some photographs of him in character can be found of him on a blog called the Mouse Art Notebooks. He also contributed humor, poems and stories to the New Yorker between 1927 and 1930. He also acted in straight plays and comedies and even classics. His last known credits are musicals with the Paper Mill Playhouse in New Jersey in 1946 and 1947. After this he appears to have returned to Chicago, where he passed away about a decade later.

Several sources say the great Southern novelist Thomas Wolfe disliked Carroll, whom he met in the 1920s through the Neighborhood Playhouse’s set and costume designer Aline Bernstein, who was Wolfe’s patron and lover. (He is said to have been uncomfortable with Carroll’s flamboyant and foppish personality, i.e. he was homophobic).

Another interesting tidbit: Carroll’s younger brother Eugene “Gene” Carroll had a vaudeville career, and hosted a local television show in Cleveland for decades.

To find out more about vaudeville historyconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famousavailable at Amazon, Barnes and Noble, and wherever nutty books are sold. For more on silent  film please see my new book Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Media, also available from amazon.com etc etc etc

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