Why SNL of Late is NOT All That

"I'll get back to you later", indeed

“I’ll get back to you later”, indeed

Sometimes the difference between comedy and satire can seem slight, but when the latter is properly done, you can drive a truck through the gulf. Satire is comedy made by an angry moralist. The greatest of satirists, Jonathan Swift, was an Anglican clergyman. You see something that is wrong, you take aim, you shoot at it, hopefully you hit it, but you MUST DRAW BLOOD.

So I’m worried about SNL. It succeeds as I would hope sometimes, but only sometimes, and what’s worse, more often, its aims seem ambiguous. They make the administration figures of fun, which is fine, but too often I feel the fun is too much fun, or their fun is beside the point. The danger in doing that is in normalizing these monstrous figures. The mere presence of Melissa McCarthy as Sean Spicer was more than enough last week — it was a hilarious stunt, audacious and shocking, and hit those insecure pigs right where they live by having it rubbed in their face by a woman. But that was last week. Now we’re used to her — she’s cute and lovable, even when she’s angry, she can’t help herself. So there must be something else, something pointed. It can’t be about gum-chewing or whatever. That’s a mere wacky foible and the message it sends is that Spicer is like any other SNL targeted pol, Jimmy Carter, for example. For the most part I felt there was a real danger of Spicer being the HERO of that sketch, that it’s now becoming exciting and lovable to watch him tear it up. The only part of that sketch that I felt had any real impact was the end…it felt quite powerful when he was herding the reporters around the room like a sheepdog. That is a comic, satirical image with a point: funny but also scary. I had the same criticism about the Kellyanne Conway sketch, it was glamorizing, not a take-down. The sketches with Baldwin as Trump are usually much more on point, although there is a danger there as well, about it being about funny faces or something.

Lorne Michaels is mercenary. He’ll triangulate if he can. If he thinks he can get Trump viewers as well as anti-Trump viewers by steering some toothless middle ground he will do it. But you can’t just do it to do it, you must DRAW BLOOD. If you do not, as when Kate McKinnon appeared for a brief second as Jeff Sessions, it becomes business as usual. Sessions becomes that hilarious guy we laugh at on Saturday nights who deprives blacks of voting rights. It’s worse than nothing not to go for the jugular vein in political satire. It can never be a case of “Hey, isn’t what’s going on in America right now kinda offbeat and FUNNY?” This is a life or death situation. The only legitimate goal is to END THIS ADMINISTRATION. There is no “wacky” here. Some Mexican mom just got yanked from her kids last night, maybe next door to your house. I’m obviously not saying the sketches shouldn’t be funny, but they must be on point, and they must reduce the target to ashes or we are doing the administration’s work for them. 

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3 Responses to “Why SNL of Late is NOT All That”

  1. You know, there was something about Melissa McCarthy’s 2nd SNL appearance as Spicer that bothered me, but I couldn’t put my finger on it until I read your blog. The first time she did Spicer, it was breathtaking — it felt like real, burning satire. But now, McCarthy/Spicer is already in danger of becoming the wacky clown of the week. Too bad, when there are so many other aspects of the Republican Administration that are ripe for satire.

    Like

  2. Barry Mitchell Says:

    Agreed. I’ve written a few Trump bits and find they are unusable: his supporters won’t laugh, and everyone else is too weary and afraid for their lives to laugh. We can’t talk about him, yet we can’t talk about anything else. We are stuck. Bad time for comedy, worse time for the world.

    Like

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