Art Startup at Theater for the New City


L-R, Michael-David Gordon, Brianna Bartenieff, Crystal Field

See this week’s Chelsea Now for my article on Theater for the New City’s community meeting this week in response to NYC’s announced Cultural Plan. 

It was interesting — I didn’t mention this in my article (it’s more objective than that) but as a private citizen I felt that only a couple of people at the meeting seemed to have any sense of the tidal wave of awfulness headed our way. One of them who clearly did was artistic director Crystal Field, who’s seen a thing or two in her day, not just as a New Yorker, but as a child of Europeans. People with family in Europe the 20s, 30s and 40s all seem to get it. Most people (especially younger ones) all seem to still have their head up their butts or to be in serious denial, and seem to be picturing what’ll be happening six months or six years from now as a PRECEDENTED inconvenience, the kind of stuff we’ve always dealt with. Sure, the concerns most of the people were expressing were legitimate, in the sense that all concerns are legitimate, but my instinct is that most of them are going to be moot. We cannot plan for tomorrow as we have always planned. Much of what you are taking for granted may not be here, including entire government agencies, including a safe or “neutral” or non-hostile environment for self-expression. People seem to lack the imagination to apply what has-historically-proven-to-be-possible to our formerly-fortunate slice of the earth. Where so much is so unknown, I think it is a good idea to plan for it being worse beyond your wildest dreams. If it’s not, that will be a wonderful surprise. If it is, perhaps it won’t be as terrible. Anyway, call me a Jeremiah, call me a Cassandra, but most of all call me a TAXI, because I WANNA GET OUTTA HERE!!! My Chelsea Now piece is here. 


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