Mink Stole: It’s Merry Christmas, Dammit

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Three Christmas Cheers for Dreamland Diva Mink Stole!

We had the great good fortune to see her Holiday Cabaret It’s Merry Christmas, Dammit at the Cutting Room last night and want to sing its praises.

The actual set was almost identical to the one we caught two years ago (read about that one here). With these noticeable differences:

  • Last time was at the Laurie Beechman. This version was at the much larger, swankier Cutting Room, giving the whole thing an honest to God concert feel, with an elevated stage, a better sound system, and a much larger audience — and even so, they packed ’em in last night. To paraphrase W.C. Fields, the audience had to clap up and down instead of sideways.
  • What an interesting, sobering experiment, to watch the same performer do the same show on either side of the catastrophic 2016 election. There is no escape from the dreaded Orange Taint: you go places, you run into friends, and you metaphorically or literally HOLD each other as tight as you can and share your fears and worries and anger and little accidental words of encouragement which you both quickly shoot down because the scale of the horribleness is too vast to be adequately confronted no matter WHAT happens. So….a lot of her show was like that. The set list and some of the patter was the same, but Mink kvetched and beat her chest and worried aloud about the state of the world and we joined her, and nothing has ever felt so WEIMAR. It’s like we were huddled in one of those Berlin night spots with the clock running out and goons roaming the streets just waiting for their cue to kick our heads in. It gave momentousness to her performance. Not that she was strident or self-importantly “political”. She was just honest and down-to-earth, and that’s one of her greatest assets as a performer. You feel like you know her, like she’s talking to you. In one way it’s consoling. In another way….what’s more terrifying than knowing that the hundreds of people in the room are also terrified?
  • Speaking of Weimar, I think I noticed a lot more vibrato in her performance, a bit of the old Lotte Lenya, and I loved it
  • There was a different bass player this time, and this one needs to CALM. DOWN. It’s too much to claim he was upstaging the singer, but…he came close. I was aware of the bass playing the entire time; it sounded like John Entwhistle or something. It didn’t bug me precisely. He seems a capable musician, but, yeah the dude was pulling focus.
  • Mink, please tell John to finally make FRUITCAKE, and to give you a nice, big part because you’re awesome. Oh, but I bet you’ve already done that. In just those words!
  • Read Scott Stiffler’s terrific profile/interview with Mink Stole in Gay City News, in which she talks about the Christmas show and much else, here: http://gaycitynews.nyc/mink-stole-christmas/
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