All things considered we give our plays short shrift here (and elsewhere,I think) and one of our New Year’s resolutions is to make amends by plugging them aggressively. The best way to make your New Year’s resolution come true is to get to work on it several months early.
Fortunately, we have a handy “way in” to talk about one of my plays today, it being INTERNATIONAL TALK LIKE A PIRATE DAY and all. Trav S.D.’s Sea of Love is basically an extended “talk like a pirate” nautical riff, structured as a series of crashing ocean waves. It has had many lives.
It began as a two-hander about a couple on a date, which I began developing as a student at Trinity Rep Conservatory in 1987. It begins with the galling premise of a prudish young man rebuffing the scary advances of a highly open and sexual female co-worker whose trippy monologue provided its original title, Love Embrace at 50 Fathoms. It was a Gilligan and Ginger scenario, if you will.
A couple of years later (1989) I attended the Coney Island Mermaid Parade for the first time, and that inspired me to take the play where it eventually went, an over the top fantasy scenario, where the date is first invaded by the young man’s equally sexual and forward mother “Mrs. Paul”, and then the ghost of his pirate father “Long John”. This version was produced at the now defunct Vortex Theatre, and featured my good friend Sarah McCord Williams as “Gidget” and her then-boyfriend Brian Price as the hero “Bildad”. Coney Island performer Sailorman Jack opened the show with a set of sea chanteys.
In the early ’90s I directed yet another version at the old Village Gate, which is now Le Poisson Rouge. I think at this stage I had the effrontery to call it Wet Dreams, which is gross, but actually fits the theme.
Then in 2002 came what I consider the definitive version of Sea of Love, at the Ohio Theatre’s Ice Factory Festival. For this one, I pulled out all the stops. I introduced a dance chorus number, choreographed by the one and only Julie Atlas Muz, and featuring several key burlesque dancers as the “Naughty Nereids”, including the legendary Bambi the Mermaid (THE Coney Island Mermaid Parade Mermaid), Kate Valentine (a.k.a Mistress Astrid), Lin Gathright (a.k.a. Miss Bunny Love) and others. The lovely Moira Stone sang my song “Love of the Ocean” for a curtain raiser.
And I added another wave of craziness in the person of the Great God Poseidon, played by Robert Pinnock wearing nothing but a thong and a green afro wig. Jeff Lewonczyk played Bildad’s mother Mrs. Paul (in drag, natch), and Bildad was to be played by the multi-talented writer-comedian (and former Fox commentator) John Devore.
I was extremely jazzed to play the part of the pirate — in fact, that was kind of the whole point (see the publicity photo at top). But just before opening night Devore suffered a tragic death in the family, and (as I have had to do so often in the past), I had to understudy for him, re-envisioning the pirate by having Adam Swiderski and Dan Maccarone play the body (at different shows), with Pinnock supplying the voice offstage through a microphone. Then we closed out the show by having the entire cast sing the Donovan song “Atlantis”.
As too often happens when I write/direct/produce/ and star in something, little (sometimes major) things fall through the cracks. All too often it has happened that I forgot to arrange for photographs of the production! Thus there is no photographic record of this show. I have video of it, but it’s kind of rough (at least my copy is), and so I really only have memories.
And then there was additional life. In 2007 we did a commemorative reading of the play at Coney Island USA, to celebrate the 25th anniversary of the parade.
And then that terrific resource Indie Theater Now made it available to purchase! It’s yours to peruse and (hopefully) produce at this link: