Archive for September, 2015

These Are the Female Silent Comedians

Posted in Comediennes, Comedy, Hollywood (History), Mabel Normand, Movies, Silent Film, Stars of Slapstick, Women with tags , , , , , , on September 30, 2015 by travsd


On Tuesdays and Thursdays in October, Turner Classic Movies will be presenting a series of programs called Trailblazing Women, hosted by none other than Ileana Douglas. 

This seemed an auspicious time for me to publish this little listicle I was planning anyway on the women of silent comedy. This is sort of a follow-up to my earlier post in which I ranked the silent comedians.  I thought up this post because dames necessarily got short shrift on the earlier list, which was focused on slapstick comedy stars. If we did such a list today, bang, zoom, no problem. Melissa McCarthy not only heads that list, but at the present moment she is my favorite contemporary slapstick star, male or female. I’m here to tell ya she has changed the entire playing field.

But a century ago, or 80 or 90 years ago? There were plenty of female comedy stars but it was rare for them to have violence done to them for all sorts of cultural reasons you already know. I’m not saying no lady ever took a pie in the face. It’s a question of ratio and proportion and what the primary associations are. The biggest female movie stars associated with comedies might best be called comic actresses (as opposed to slapstick clowns) and they may also have acted in many non-comic roles. That’s one type. Another type are the leading ladies to the major comedians. They definitely had an important role to play in the comedy, but their parts were generally more passive and reactive. They were beauties to be adored — not slobs to throw down the stairs. A third type would be the lady slapstick clown in an ensemble — important, but not a marquee name that would be above the title to sell a picture. And a fourth type would be a lady slapstick star for real….but not a major ticket-selling star (as were the artists who made that list I previously posted) But they deserve notice and celebration, so they get THIS list. There’s a lot of ’em. Probably more than you knew existed, and I didn’t even list them all.

I flirted with ranking them, but I can’t, really. So this is a just a list in no particular order (with some of the bigger ones toward the top). Click on her name and get info about the artist! (Oh yeah, I’m gonna make you work for it).


Mabel Normand


Constance Talmadge


Gloria Swanson 


Marion Davies


Colleen Moore


Edna Purviance


Alice Howell


Gale Henry


Louise Fazenda


Bebe Daniels


Mildred Davis


Jobyna Ralston


Sybil Seeley


Kathryn McGuire


Marie Prevost


Phyllis Haver


Minta Durfee


Flora Finch


Alberta Vaughn


Alice Lake


Dorothy Devore


Virginia Fox 


Marion “Peanuts” Byron 

ca. 1920's --- Anita Garvin models pearl beaded outfit in front of large feather fan. Undated photograph. --- Image by © Bettmann/CORBIS

Anita Garvin


Dot Farley


Madeline Hurlock


Phyllis Allen 


Dorothy Dwan

And many, many others, no doubt — but please don’t write to tell me “You forgot such and such!” or “Don’t forget X, Y and Z!”. Or (in spite of all my qualifiers and caveats) “So-and-so isn’t really a comedian.” You may have noticed by now I seldom publish or acknowledge such “contributions”. Feel free to start your own blog if you have an opinion you’d like to express!

For more on silent comedy please check out my book: Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Mediaalso available from etc etc etc


Movies You Need To Get!

Posted in Comedy, Movies, Movies (Contemporary), PLUGS, Silent Film with tags , , , , , , on September 29, 2015 by travsd

Coincidentally, two different friends are releasing films for home consumption and I can’t recommend either of them highly enough!


Heather Quinlan’s terrific documentary If These Knishes Could Talk: A Film About the New York Accent is available to stream now through Amazon. Read my rave review for the film in our earlier post here. And stream the film here.


And then there’s Ben Model’s silent movie compilation Accidentally Preserved, Volume 3. We raved about Volume 1 here, and about Volume 2 here. The new one contains the following films:

Wanted, a Nurse – with Mr. and Mrs. Sidney Drew (1915) – 12 mins
When he falls for a pretty nurse aiding a sick man on the street, lovesick Sidney Drew feigns illness and is taken to the hospital in order to meet her, although his plan develops complications.

Service a lá Bunk – with Bobby Ray (1921) – 10 mins
Diminutive Bobby Ray has all sorts of troubles as a restaurant chef, which culminate in a mouse pot pie that sends him, the proprietor and customers into a wild chase.

A Citrate Special – with Martin Wolfkeil and Thurston Hall (192?) – 3 mins
This privately-made prank film made by an unknown studio and never intended for release involves an irritable film director, a revengeful prop man and a bottle of “croton oil” (a known super-laxative in the 1910s and ’20s).

The Whirlwind – with Joe Rock (1922) – 11 mins
Comedian Joe Rock blows into town during a wild windstorm and falls in love. The girl’s father promises him her hand, if Joe can stop the whirlwind.

No Vacancies – with Jay Belasco, Billy Armstrong and Jack Duffy (1923) – 20 mins
A couple faces a housing shortage and take jobs in a residency hotel as maid and handyman as a ruse to live there.

Love’s Young Scream – with Anne Cornwall and Jimmie Harrison (1928) – 14 mins
Anne and Jimmie are getting married, but her father bribes the clerk to give them a fake license. When he hears they’re heading to Mexico for a honeymoon, a wild chase ensues.

Hot Luck – with Malcolm “Big Boy” Sebastian (1928) – 16 mins
“Big Boy” comes to work with his father at the firehouse, but take-your-kid-to-work day doesn’t work out so well when the chief has a “No Children Allowed” policy.

Whose Baby? – with Arthur Lake (1929) – 11 mins
Arthur Lake (better known for his portrayal of Dagwood Bumstead in the 1940s) romances a young gal but their date goes sour when he inadvertently winds up minding someone’s baby.

Half a Hero – with Billy Barty (1929/30) – 8 mins
A woman is trapped in a barn by two evil farmhands, and is rescued by toddler Billy Barty and a few of his animal friends.

Order your copy here. 

Last Night’s Lower East Side Junket

Posted in Burlesk, Contemporary Variety, German, Indie Theatre, PLUGS, Singers, Singing Comediennes, Women with tags , , , , , , on September 29, 2015 by travsd

Despite yesterday’s oppressively nasty weather, the Mad Marchioness and I finally shook off our summertime torpor last night and poked our heads out into the world. It’s been months since we’ve done such a thing, and as often happens after such a hiatus, we stacked a bunch of activities into a single evening, helped along by convenient geography.


First we went to the Slipper Room for a sneak peek at Jonny Porkpie’s new silent movie themed burlesque revue, The Stripteaser, featuring himself, Jo “Boobs” Weldon, Fancy Feast, Bastard Keith, Fem Appeal, Patrick Davis, and Polly Wood. It’s duly hilarious and we will be going back to see it again with all the bells and whistles tomorrow night. You should too! Info and tickets are here. 

Next we ate large piles of food at Phebe’s (without an “o”, never put an “o”), where we ran into performer Ione Lloyd, on her way to something at New York Theatre Workshop, I think she said.

Whereas, we were on our way to LaMama, for the launch event for their new downstairs theatre space. If I am counting correctly this is their fourth playing space, essentially a blackbox (in this case a brick box), brand spanking new and shiny on their basement level. Congrats to them! For an institution to still be vibrant and growing at this age! We saw artistic director Mia Yoo, producing director Beverly Petty, Cathy Shaw from the box office, and:

Nicky Paraiso of the Club at La Mama, and Linda Chapman, Associate Artistic Director at NYTW

Nicky Paraiso of the Club at La Mama, and Linda Chapman, Associate Artistic Director at NYTW


Kids’ Art!


Then finally, the climax of the evening, Mad Jenny and the Society Band’s debut at Pangea.   I had the terrifying realization last night that I have known, admired and worked with this performer for almost NINE years. Where that time went, I have no idea, but I felt like I saw it all in her performance last night, ideas she has been talking about and planning and trying out here and there over a long period — with this show as the glorious culmination.

With her beautiful singing voice, her clown training, her command of German, and her sharp sophisticated mind, this is a show only SHE could have put together (with her collaborators of course, but who but she could star in this act?).  It’s almost all Berlin cabaret material, by the likes of Brecht, Weill, Eisler and many others. Because her command is so encyclopedic and curated with such vision and focus the repertoire is much more esoteric than the usual “Weimar’s greatest hits” approach most performers tend to take when they attempt this kind of material. The one tune I knew was the “Barbara Song” from Threepenny, although in a different translation from the one I know best (the from the 1954 Broadway production.) Oh yes and she threw in a Eurythmics song which I vaguely recognized. I won’t tell you what she does with props in the show, because that would spoil lots of wonderful surprises, but among the many treats on the song list is a gay-pride anthem from 1921 called “The Lavender Song”, a 1928 abortion song, and a great feminist number from 1931 called “Chuck All the Men”. It’s not all political, but these stuck out — they’re almost a century old….and wow, they still need to be sung, a fact which is stunning, and damning.  But, really, the show was all highlights. When it was over, no one wanted to stop clapping or even let her go. She got two encores, and really the audience still wanted more after that. She’s already got more shows booked, but something tells me a proper long run will be in order once word gets around. People will want to see this and see this again. I would gladly go again already! To get more info on Mad Jenny and her upcoming shows go here. 

Stars of Vaudeville #906: Phillips Carlin

Posted in Radio (Old Time Radio), Vaudeville etc. with tags , , , , , , , on September 28, 2015 by travsd


Phillips Carlin (1894-1971) was a radio broadcaster who got his start locally at New York’s WEAF, and then was the announcer for several national programs on NBC, as well as the 1926, 1927 and 1928 World Series.

In the waning days of vaudeville in the late 1920s and early 1930s, Carlin hosted several radio revues at the Palace called “On the Air”, designed to help bolster attendance. This was an NBC tie-in, of course. By then the old Keith circuit was part of R.K.O., which was affiliated with N.B.C.  The attendance gambit didn’t work, but ideas like this sound intriguing, and help us to imagine what a “future vaudeville” might have been like if vaudeville hadn’t died out. Carlin later became a major programming executive at NBC and the Mutual Broadcasting Company, and after that went on to produce commercials.

To find out more about the variety arts past and present, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold. And don’t miss Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, released by Bear Manor Media. 

Stars of Vaudeville #905: Clark and Bergman

Posted in Music, Singers, Vaudeville etc. with tags , , , , , , , , , , on September 27, 2015 by travsd


The team of Gladys Clark and Henry (sometimes “Harry”) Bergman (1887-1962) were prominent in vaudeville throughout the teens and twenties. They often fronted tab shows produced for vaudeville by Jesse Lasky, including “The Trained Nurses” (1913) and “The Society Buds” (1914), and they introduced many Irving Berlin songs to the public from the vaudeville stage, such as “Remember” (1925) and “Always” (1926).  They also appeared together on Broadway in The Passing Show of 1917. And they are also in one talkie short made in 1930 called Do It Now , which one reviewer called “Dull, Obvious and decidedly unfunny”, though their vaudeville reviews were usually quite good.

I find references to Clark and Bergman appearing as a team as early as 1909, when Bergman was only 22 years old.  I’ve come across references to Clark (sometimes spelled “Clarke”) working in acts previous to her pairing with Bergman as early as 1906.  Bergman, originally from New York, had started out with Gus Edwards kiddie acts.

It is often erroneously assumed and reported that Bergman is the same Henry Bergman who appeared in several Charlie Chaplin movies, but a quick glance at the picture on the sheet music above and the many other pieces of published sheet music on which the couple’s likeness appeared will quickly disabuse you of that notion. Also, Chaplin’s Henry Bergman was quite gay, and this Henry Bergman had a wife named Gladys (and nothing is more heterosexual than that). Circa 1939, the pair moved to San Antonio Texas where Bergman managed the Broadway Theatre and this is where they lived out the balance of their lives.

To find out more about the variety arts past and present, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold. And don’t miss Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, released by Bear Manor Media. 

Stars of Vaudeville #904: Glenn Hunter

Posted in Broadway, Hollywood (History), Melodrama and Master Thespians, Movies, Silent Film, Vaudeville etc. with tags , , , , , , , , on September 26, 2015 by travsd


Today is the birthday of actor Glenn Hunter (1894-1945).

Hunter’s career lasted nearly thirty years, embracing Broadway, vaudeville and films. He was only 19 when he first made it to Broadway; his notable successes there included the role of Merton in the original production of Merton of the Movies (1922-1923), and Roy, the male lead in the original NY production of Waterloo Bridge (1930). At the same time, he acted in playlets in big time vaudeville. He played the Palace in the 1920s. He starred in over a dozen films; all but one of his screen credits are during the silent era in the 1920s (one of them is the original screen adaptation of Merton of the Movies). His last play on Broadway was Journey’s End (1939). His last film was a small role in the 1941 comedy For Beauty’s Sake. He was married to lady bandleader Babe Egan. 

To find out more about the variety arts past and present, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold. And don’t miss Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, released by Bear Manor Media. 

Still Time to Get in on the Acting Class for Comedians

Posted in BROOKLYN, Comedy, Indie Theatre with tags , , , on September 25, 2015 by travsd


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