This remains one of the all-time favorite Laurel and Hardy films among fans. As they often do, Laurel and Hardy play hen-pecked but rebellious husbands on a tight leash. Their wives here are played by Mae Busch and Dorothy Christy. In this film the boys are not literal “Sons of the Desert” (which can be a little confusing because in a couple of their comedies their characters join the French Foreign Legion). In this case, the “Sons of the Desert” refers to their fraternal lodge and the boys are just itching to their annual convention in Chicago. Naturally their wives won’t permit this, so the boys claim that Hardy is sick and must go to Honolulu for his health. (A hilarious irony — who wouldn’t prefer to go to Honolulu than Chicago?). In Chicago they woop it up with Charley Chase, at his comical best as an obnoxious drunken lodge brother from Texas). Then the newsreels begin to cause trouble. The wives learn that the ship their husbands were supposedly on has sunk. They grieve. Then later they see newsreels that show their husbands drunkenly cavorting at the convention in Chicago. They fume. The boys are busted. The wives allow them to hang themselves with lies upon their return before they throw them out. Their is an extended climax with Hardy on the roof at night during a rainstorm, just one of many Hardy rooftop sequences.
The premise of this film (and similar Laurel and Hardy comedies) had an extended reach, for it was much emulated by Jackie Gleason in the The Honeymooners in the early 1950s, and then later by Hanna Barbera on The Flintstones in the early 1960s.
For more on comedy film history please check out my new book: Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Media, also available from amazon.com etc etc etcTo find out about the history of vaudeville, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.