The Cat’s Paw is Lloyd’s least characteristic film. He is well cast as a young missionary raised in China who returns to his American hometown for the first time. But the film is weirder and darker than Lloyd’s usually are. His character is made a straw man candidate for a nonexistent reform party and accidentally wins the election. When he tries to clean up the corruption, the crooks conspire to frame him. His response is to round them all up and make them think they will have their heads chopped off. Mass decapitation is a note that’s just distinctly un-Lloyd. Yet there’s something distinctly Capraesque about the story arc that Lloyd and his team should have followed up on in subsequent movies. Naïve young man of goodwill gets cruelly used by a bunch of greedy crooks. That’s a formula Depression era audiences warmed up to, and that would have been an easy adjustment for Lloyd. Just with less head-chopping (and even less use of the word “chink”.) It’s not the most progressive film in the world, but certainly worth watching. It’s also got Una Merkel, Nat Pendleton, Alan Dinehart, Fuzzy Knight, Vince Barnett, and Billy Bletcher.
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