Olga San Juan, “The Puerto Rican Pepperpot”


Today is the birthday of the lovely singer-dancer-actress Olga San Juan (1927-2009).

Born in Brooklyn and raised in both Puerto Rico and New York’s Spanish Harlem, San Juan began dancing at age three and performed in nightclubs throughout her childhood. Gradually the venues grew more prestigious (the Copacabanna and the El Morocco) and she was hired by The King of Latin Music, Tito Puente. Eventually she formed Olga San Juan and her Rumba Band and began to be heard on radio as much as in nightclubs.

In 1943, at the height of the Latin craze, Paramount hired her and she began to appear in pictures, most of them musicals. She was in Blue Skies (1946) with Fred Astaire and Bing Crosby, the all-star Variety Girl (1947), with Ava Gardner in One Touch of Venus (1948), and with Sonja Henie in The Countess of Monte Crisco (1948). Her last major film role was in the late Preston Sturges comedy The Beautiful Blonde of Bashful Bend (1949), which I watched recently and first brought her to my attention. While San Juan often played Lupe Velez and Carmen Miranda type broad-stroke Latin characters, in Beautiful Blonde, she downplays that element, radiating taste, wit and intelligence rather than crude dialect humor. It made me sit up and take notice.

Unfortunately, that was her last opportunity to do that in film. That year she also married the actor Edmond O’Brien, and she retired to raise their children. She had one more major role on Broadway, in the original production of Paint Your Wagon (1951-52). After this a couple of bit roles in the films, and that was it. She and O’Brien divorced in 1976.

For more on show biz historyconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.For more on comedy film history see my new book Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Media, also available from amazon.com etc etc etc



  1. I just recently saw Beautiful Blonde/Bashful Bend myself, and I agree: in a generally silly film, Olga San Juan stands out. She was not only funny, but beautiful and sexy. A pity she couldn’t have been in Sturges movies when he was in his prime.


    • I think late Sturges is great — I dont acknowledge a falling-off at all. BBBB is as great as his earlier films, with a different set of virtues


      • Can’t say I agree about BBBB, which simply doesn’t jell for me; but I do think Unfaithfully Yours is witty and extremely well done, with probably Rex Harrison’s best screen performance; and Mad Wednesday does have its moments (its scene of characters listening to a horse race on the radio is echt Sturges). One amazing thing about Sturges was how brilliantly he directed Rudy Vallee – he made Vallee’s absolute lack of expression about the most screamingly funny bit of business I’ve seen on screen.


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