Archive for September, 2011

Untitled Feminist Multimedia Technology Show

Posted in Asian, Indie Theatre, Women with tags on September 30, 2011 by travsd

I was privileged to attend a workshop of Young Jean’s Lee’s new piece at the Baryshnikov Center last Saturday, and my admiration for her work remains undiminished. I won’t bother reiterating the title. She intends to come up with a real one, and the “multimedia technology” part seems to be fading out of the picture, except for a video introduction segment.

The remainder of the piece is almost completely nonverbal, and performed as a dance. While the choreography is by Faye Driscoll, the credits tell us it was “written” by Young Jean Lee, and it’s easy to figure out why. The skeleton of the thing is plainly the product of her imagination; there is a narrative element, and the shifts and leaps and twists are just the same sort she invests in her dialogue-driven pieces. The ensemble consists of a half dozen nude women (no, they are not wearing black rectangles), and the themes of the pieces have to do with womanhood, sex, strife (all the primitive basics) using a variety of storytelling strategies, including fairy tale and religious ritual. Among the ensemble in the version I saw were World Famous Bob and Lady Rizo, two strong, glamorous individuals with substantial cult followings, who’ve subsumed their big personalities to be a part of the hive. It’s an interesting dynamic.

And, naturally the work is full of Young Jean Lee’s trademark humor and elusiveness, a refusal to be pinned down or pigeon-holed. Her ability to be so consistently inventive in an artistic era so exhausted is an inspiration to me.

The piece is being premiered in Minneapolis this January, and you New Yorker’s can catch it in PS122’s COIL Festival next summer. For more info, go here.

Stars of Vaudeville #365: Salerno

Posted in Jugglers, Vaudeville etc. with tags , , on September 30, 2011 by travsd

Adolph Behrend (a.k.a. “Salerno”, b. this day in 1869) is known for several things:

* He was one of the originators of the style known as “gentleman juggling”, in which the juggler wears a classy tuxedo and juggles ordinary household items. (A natural outgrowth of his origins. He began juggling his father’s woodworking tools in his shop back in Prussia as a teenager).

* He is also known as the creator of the “Salerno Ring”, a rig consisting of a pole balanced on the juggler’s head, with a ring at the top of it, in which a ball would be made to rotate. Think of the control required!

* He is the originator of the show bizzy gimmick of throwing illuminated objects in the dark. (In this case, he devised electric torches with colored lights that actually changed color in mid-air).

This influential vaudevillian passed away in 1946.

To find out more about  the history of vaudevilleconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.

safe_image

Al Duvall on the Ragged Phonograph Program

Posted in Contemporary Variety, Music, PLUGS, Radio (Old Time Radio), Tin Pan Alley with tags , , , on September 29, 2011 by travsd

Here’s what I like and here’s what I’m giving you — plenty of notice! Old-timey songwriter Al Duvall will be the special guest on Michael Haar’s Ragged Phonograph Program tomorrow morning on East Village Radio. The show starts at 8; I think Al comes on at 8:30. Talk about a meeting of minds! This should be a great program — it may even make you late to work!

NY Burlesque Festival

Posted in Burlesk, Contemporary Variety, PLUGS with tags on September 29, 2011 by travsd

It’s that time again. The NY Burlesque Festival opens tonight with a “teaser party” at the Bell House hosted by the World Famous Bob, and culminates this sunday with The Goldie Pasty Awards hosted by Miss Astrid at the Highline Ballroom. For a little burlesque backgrounder, go here.  And for full details on the festival go here.

A Ph. D. in Happiness

Posted in BOOKS & AUTHORS, Comedy, CRITICISM/ REVIEWS, Stand Up with tags , on September 29, 2011 by travsd

Philosophers are kind of, by definition, gloomy. Just listing them makes me depressed: Nietzche, Kierkegaard, Sartre, Heidegger. Leibnitz is the single one who springs to mind who used reason to arrive at some kind of hopefulness – – and Voltaire burned him to a cinder in Candide. Voltaire of course was one of the greatest of comic writers. His breed too tends to be nasty — if not pessimistic, at least mean. I’m thinking of Swift, Rabelais, Cervantes, H.L. Menken et al. At any rate, these are the sorts of books I like to read for inspiration and amusement.

Now… look at the picture above.

Dr. Moore may come to us in the habiliments of the scholar, but something about the expression on his face betrays a certain…oh, I don’t know…light-hearted purpose-? Indeed, his expression is so striking that I felt it necessary to fold the cover back when reading it on the subway, for fear of the reaction it might have on the other passengers.

H’m…but who’s the miserable one here and who’s the one having the great time? “The unexamined life is not worth living,” said Socrates. “Get thee behind me, Satan,” said Jesus. “My television has spit all over it,” said John Belushi. Two out of three ain’t bad.

The wisdom Tommy Moore draws from the many famous comedians he has met as a journalist, comedy club owner and fellow comic are not the sort of profundities that wound us, or nag us forever like a tooth ache. They are mostly very practical take-aways — actually some very useful ones for professional performers. The philosophical bottom line he returns to time and again is something along the lines of “Don’t worry, be happy”. Which is easier said than done. That doesn’t mean that it’s wrong. But for the professional comedian, it’s especially good advice, the kind of medicine I require and will hold my nose and take.

This is a very good gift book, I think, for certain people in your life. It is the sort of book that will be especially appreciated by someone having a difficult time of it and who needs a boost. (Mr. Moore himself once performed a comedy gig after having had several bones broken in a mugging. That’s what I’m talkin’ about!)  The book is best read in very small installments, a section at a time, rather than skimmed, if you want to get anything out of it. And if you want to get something out of it, here’s how.

The Book of Vaudeville (Not Mine)

Posted in Television, Vaudeville etc. with tags , on September 28, 2011 by travsd

The Countess called my attention to this recent Canadian documentary The Book of Vaudeville  made by Winnipeg’s Farpoint Films. The story goes that in 1950, a local boy found a scrapbook in the rubble of the recently demolished Orpheum Theatre. The scrapbook now lives in the archives of the City of Winnipeg, where the film-makers located it and conceived the idea of using it as a springboard for a live vaudeville show starring a bunch of local actors. Only one of the participants, escape artist Dean Gunnarson is an actual, skilled vaudevillian. The others, for whatever reason, attempt to take on vaudeville acts requiring skills they do not possess: bird-calls, trick roller skating, sleight of hand, and, yes, singing. So there is a reality show aspect to the program. A couple of the participants drop out of the running, a couple of others fudge their assignments, and one of the neophytes does surprisingly well (not including Gunnarson, who actually knows what he is doing when he re-creates Houdini’s milk can escape).

Given the fact, that there are probably hundreds of people around (yes, still!) who do these kinds of acts professionally and do them well, when watching the film I couldn’t help wonder what the point was of watching these newbies fumble around in this undiscovered territory, sometimes with reverence, occasionally with what feels like gross disrespect. At 2 o’clock this morning — literally — it hit me.  What better way for the audience to learn what’s involved in this kind of entertainment? To watch an expert perform his act, and even to hear him talk about it, is not to get close to the difficulty of the undertaking. To watch people roughly similar to us in skill level flop…that’s a lesson in appreciation.

The film is available to watch on demand here. And here’s the trailer:

To find out more about the history of vaudevilleconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.

safe_image

Stars of Vaudeville #364: Slivers Oakley

Posted in Circus, Clown, Vaudeville etc. with tags , , on September 28, 2011 by travsd

Frank “Slivers” Oakley (b. either 1871 or 1885, I’ve seen both) has been called the greatest circus clown of his generation. In a 1960 interview, Buster Keaton placed him at the top of his list of his favorite clowns. Oakley’s most famous routine was a pantomime of a baseball game, in which he portrayed every player in the field — a routine Keaton paid tribute to in his 1928 film The Cameraman. Another famous (positively Dali-esque) routine had Slivers riding around a Hippodrome track on two giant lobsters.

He started out as a contortionist as a teenager, and became a clown a couple of years after that. From 1897-1907, he worked for a number of the top circuses, including Ringling Bros. and Forepaugh and Sells. At his top salary he was supposedly pulling in $1000 a week.

Around 1910, he decided he wanted to break into vaudeville. Aside from some dates on the giant stage of the Hippodrome in New York, he seems to have had a tough slog getting bookings and was relegated to the small time for the most part. When he tried to go back to Ringling, they punished him by offering him $75 a week, a far cry from his old salary.

In 1916, he took his own life — asphyxiation by gas. This was possibly because of the failing career, possibly because of an unrequited love he had for a young vaudeville actress, or possibly a combination of the two.

Some folks are raising money now for a feature length documentary about Slivers which they hope to complete in time for the Centennial of his death in 2016. To find out more (and even donate) go here.

To find out more about  the history of vaudevilleconsult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.

safe_image

%d bloggers like this: