Is your correspondent a sexist? I fear as much when I realize that I used to think of I Married Joan as that tv show where Jim Backus plays some woman’s husband. Somehow, Joan Davis had become a footnote in her own show. Oh, it’s not strictly my fault. Jim Backus (Mr. Magoo…Mr. Howell…James Dean’s dad in Rebel Without a Cause) is as awesome as it is possible for awesome to get. And, while I’ve only ever seen an episode or two of I Married Joan, it is perhaps not unfair to say that she trails somewhat behind Lucille Ball and Gracie Allen in making an impression. Yet her resume is so impressive, it led me to check out many of her films, and I have begun to know and appreciate her work.
Davis started out (like so many) in amateur contests at age 6 in her native St. Paul. Soon she was booked on the Pantages circuit, where she worked as the “Toy Comedienne” until puberty took its toll, and she retired briefly to finish high school. After a brief stint working in a department store, she returned to the biz, eventually teaming up with (and marrying) baggy pants comic Si Wills. By the early 30s they had a child and vaudeville had dried up, so they moved to Hollywood. Her first break was in a Mack Sennett picture with Myra Keaton and the Sons of the Pioneers. She continued to make films for the next 20 years or so, including classics like On the Avenue (1937), Sally Irene and Mary (1938), Hold That Ghost (1941) with Abbott and Costello, Show Business (1944) and If You Knew Susie (1948) both with Eddie Cantor, George White’s Scandals of 1945 with Jack Haley, and Harem Girl (1952).
The Joan Davis Show began on CBS radio in 1945; the name changed to I Married Joan in 1949. It moved to television in 1952, where it ran until 1955. She died of a heart attack in 1961. She was only 53 years old.
To find out more about these variety artists and the history of vaudeville, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.