While best known today as the inspiration for Burt Lancaster’s cold-hearted, power-mad show biz columnist in Sweet Smell of Success, Walter Winchell actually got his start in Gus Edwards’ kiddie vaudeville troupe the “Newsboy Sextette.” He began filing regular pieces to the Vaudeville News in 1920, gradually graduating to the New York Evening Graphic and the New York Daily Mirror. Winchell essentially invented the modern gossip column, pre-dating Ed Sullivan, Louella Parsons, and Hedda Hopper. His many years in show business gave him an inside track.
For roughly three decades (1930-1960) as a syndicated columnist and radio personality, Winchell was one of the most powerful men in the country, a super-patriot who gave no quarter to those he felt were a threat to the American way of life. His staccato, rapid fire voice is unmistakable (that’s him doing the narration on The Untouchables). Many of us know his style without knowing it was him who created it — the sound of a telegraph key, followed by “Good evening Mr. and Mrs. America from border to border and coast to coast and all the ships at sea…”
His fervent anti-communism put him at odds with the tenor of the country in the 1960s. Incidentally, he plays himself in one of my all-time favorite movies Wild in the Streets (1968). Winchell passed away in 1972 — the same year as his pal J. Edgar Hoover.
To find out more about these variety artists and the history of vaudeville, consultNo Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.
[…] the death of the circuits. Starting out as a boxer, then a sportswriter, in the 1920s he took over Walter Winchell’s theatre column at the New York Graphic, which later went over to the Daily News. This led naturally […]
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[…] Lexington), where his mother worked as a wardrobe mistress. With Jack Weiner (later an agent) and Walter Winchell (later a famously cruel gossip columnist) he formed a singing group, the Imperial Trio, which sang […]
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[…] of the Gus Edwards mill include: Groucho Marx, Georgie Jessell, Eddie Cantor, Phil Silvers, Walter Winchell, Ray Bolger, Eleanor Powell, Sally Rand, Bert Wheeler, Lillian Roth and the Duncan Sisters. He was […]
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[…] comedy into the act. Earlier he had been in Gus Edwards “Newsboy Sextette” with Eddie Cantor, Walter Winchell and George Jessell, and numerous other acts subsequently, so he, too, was a vaudeville […]
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[…] was a likable, versatile entertainer for whom work was plentiful over the next three decades. Walter Winchell dubbed him “America’s Soft Shoe Man”. Broadway shows included The Merry World (1926), A Night […]
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[…] played exotic musical instruments and performed acrobatics until the eve of the digital age. Walter Winchell once said of the boys: “I’d like to know how those guys got in here. They’re not on the […]
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[…] in Atlantic City. During her act, she pulled Buddy up from his seat and improvised a duet with him. Walter Winchell happened to be in the audience and wrote up a rave in his next day’s column. That day, the pair […]
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