R.I.P. Vaclav Havel

Dreadful sorry to hear the news that Vaclav Havel passed away today. I and about a hundred of my friends were fortunate to have gotten close to Mr. Havel’s magic thanks to Edward Einhorn, whose passion, drive and producing acumen led to the Havel Festival in Fall 2006. The experience was an eye-opener for me — and no doubt for Mr. Havel, as well. This was a cultural event of international importance. Havel was one of the great playwrights of the 20th century, a political hero and champion of human rights, and the first president of the Czech Republic. AND…you could have heard a pin drop from the American government in terms of support or interest. The whole thing was in the hands of a ragtag group of indie theatre artists. The surrealism of encountering Mr. Havel and former Secretary of State Madeline Albright at the tiny Brick Theatre will NEVER leave my mind. Shouldn’t this be at the Kennedy Center? But don’t get me wrong — lucky US!

I was in one of the shows in the festival. In terms of fame and attention our production was one of the festival’s backwaters, but I was thrilled at the opportunity, and remain proud of the work we did. Jeff Lewonczyk directed Richard Harrington and myself in the American premiere of an obscure Havel radio play called Guardian Angel. In it I played one of the long line of detectives on my actor’s resume (merged with one of the long line of psychotics). And I terrorize Harrington…absurdly, of course. I was very excited by the experience because I considered it my sort of “coming out” as a serious actor. (I’d trained to be one near 20 years earlier and, though I had performed frequently in the intervening time, I seldom, if ever, had the opportunity to play what you’d call a challenging role. I was most grateful at this opportunity to prove to myself, and everybody else, I could do it). Here’s a little essay I wrote about it at the time.

Me in "Guardian Angel", 2006. Photo by Tim Brown.

At any rate, the festival also gave me a chance to expose myself to a lot of Havel’s work (including much lesser known stuff). My admiration for the man is unbounded. HIS was the way a life should be lived. (Except for all that chain-smoking). If there is such a thing as a soul, I imagine right now his is grateful for the peace and the rest.

7 Responses to “R.I.P. Vaclav Havel”

  1. [...] Friend (and high school prom date) Trav S.D. has a wonderful reminiscence about Havel and the Havel Festival at the Brick [...]

  2. Michael Karp Says:

    Sad news. It was an honor to meet him and a real thrill to perform before him… A major figure, and I’m sorry he’s gone. Thanks for the memorial notice.

  3. I missed the Havel Festival, but was friends with some of his friends when he was president of Czechoslovakia and I was hanging out with Czech clowns. I loved his work long before that– and in college read his Letters To Olga, letters he wrote to his wife from prison. Beautiful, haunting, love letters that showed his intellect, his passion, and his loyalty and love for his wife. HIGHLY RECOMMEND READING THEM. http://tinyurl.com/letters-to-olga

    His plays to me were very interesting, although of course veiled in absurdism to hide the political points he was making against his oppressive regime.

  4. I’m certain I first heard about Havel’s work from you, Adam. Do you know this play? Edward produced it a few months ago: http://travsd.wordpress.com/2011/07/01/vaclav-havels-hunt-for-a-pig/

  5. I don’t know that play. But it sounds great.

    Intuitons (my college experimental theatre company) produced Havel’s The Memorandum partially on my recommendation in 1985. I was (and still am) a big fan of Eastern European absurdism, although I haven’t seen any lately. It seems to have mostly gone away, as the need to hide political critique has disappeared. Perhaps I need to start reading Chinese, North Korean, or Iranian absurdism? Or perhaps I’ve just missed it, and it does still exist.

    At any rate, Havel was great, and I’m sorry he’s gone.

  6. someone needs to translate and produce Adamov. He’s the only one of the major figures treated in Martin Esslin’s book whom american audiences havent been exposed to.

  7. Well said, Trav. As I mentioned on the Ultimate Equalizer that is Facebook, so many of us in our brand of theatre THINK we’re changing the world but few of us actually, literally do so. I was priviliged to direct an English-language Havel premiere when I did Hitchhiking for Edward and the BNH; it was my first absurdist piece and I’m a better man, director and artist for having been exposed to his work and life.

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